commit 607fc7727c18134e584410704d71c14719297400
Author: Sven Axelsson <sven@fronter.com>
Date:   Wed Apr 16 09:32:57 2008 +0200

    Initial add of all bagpipe music files.

diff --git a/.gitignore b/.gitignore
new file mode 100644
index 0000000..d1a1a12
--- /dev/null
+++ b/.gitignore
@@ -0,0 +1,5 @@
+*.ps
+*.pdf
+*.png
+*.log
+
diff --git a/_output/adv_info.txt b/_output/adv_info.txt
new file mode 100644
index 0000000..25644bd
--- /dev/null
+++ b/_output/adv_info.txt
@@ -0,0 +1,38 @@
+[MSR (Giftskåpsetet)]
+1=2-4_marches/lord_alexander_kennedy
+2=strathspeys/cameronian_rant
+3=reels/sheepwife
+
+[Hornpipe/Jig]
+1=hornpipes/john_mckenzies_fancy
+2=jigs/eileen_macdonald
+
+[2/4 Marches for practise]
+1=2-4_marches/donald_cameron
+2=2-4_marches/lord_alexander_kennedy
+3=2-4_marches/duke_of_roxburghs_farewell_to_blackmount
+4=2-4_marches/abercairney_highlanders
+
+[Strathspeys for practise]
+1=strathspeys/cameronian_rant
+2=strathspeys/maggie_cameron
+3=strathspeys/susan_macleod
+
+[Reels for practise]
+1=reels/sheepwife
+2=reels/mrs_macpherson_of_inveran
+3=reels/little_cascade
+4=reels/lexy_macaskill
+
+[Hornpipes for practise]
+1=hornpipes/jimmys_gift
+2=hornpipes/john_mckenzies_fancy
+3=hornpipes/train_journey_north
+4=hornpipes/duncan_johnstone
+
+[Jigs for practise]
+1=jigs/braes_of_mellinish
+2=jigs/jig_of_slurs
+3=jigs/eileen_macdonald
+4=jigs/alan_macpherson_of_mosspark
+5=jigs/donald_willie_and_his_dog
diff --git a/_output/set_info.txt b/_output/set_info.txt
new file mode 100644
index 0000000..0b01062
--- /dev/null
+++ b/_output/set_info.txt
@@ -0,0 +1,88 @@
+[2/4 Marches]
+1=2-4_marches/corriechoillie
+2=2-4_marches/teribus
+
+[3/4 Marches]
+1=3-4_marches/green_hills_of_tyrol
+2=3-4_marches/when_the_battle_is_over
+
+[4/4 Marches Set 1]
+1=4-4_marches/scotland_the_brave
+2=4-4_marches/badge_of_scotland
+3=4-4_marches/rowan_tree
+
+[4/4 Marches Set 2]
+1=4-4_marches/silver_wings
+2=4-4_marches/lord_lovats_lament
+3=4-4_marches/flett_from_flotta
+4=4-4_marches/braes_of_bonhill
+
+[4/4 Marches Set 3]
+1=4-4_marches/boys_brigade_centenary_march
+2=4-4_marches/cabar_feidh
+
+[6/8 Marches Set 1]
+1=6-8_marches/atholl_highlanders
+2=6-8_marches/cock_of_the_north
+
+[6/8 Marches Set 2]
+1=6-8_marches/ballochyle
+2=6-8_marches/duncan_mcgillivray
+
+[9/8 Marches]
+1=9-8_marches/battle_of_the_somme
+2=9-8_marches/grinder
+3=9-8_marches/heights_of_dargai
+
+[Selection 1]
+1=hornpipes/calum_campbells_caprice
+2=others/er_du_jol_mon
+3=strathspeys/mac_an_irish
+4=reels/sound_of_sleat
+5=piobaireachd/glengarrys_lament
+6=jigs/donald_willie_and_his_dog
+
+[Selection 2]
+1=hornpipes/blair_highlanders
+2=airs/el_alamein
+3=strathspeys/macphedrans_strathspey
+4=reels/airlies_big_day
+5=reels/wretched_man
+6=reels/famous_bridge
+7=piobaireachd/clan_campbells_gathering
+8=hornpipes/donald_macleod
+9=jigs/rocking_the_baby
+
+[M/S/R Set 1]
+1=2-4_marches/conundrum
+2=strathspeys/monymusk
+3=reels/captain_lachlan_macphail_of_tiree
+
+[M/S/R Set 2]
+1=2-4_marches/mrs_john_maccoll
+2=strathspeys/shepherds_crook
+3=reels/major_manson
+
+[M/S/R Set 3]
+1=2-4_marches/highland_wedding
+2=strathspeys/susan_macleod
+3=reels/sheepwife
+
+[Slow Air & Jigs]
+1=airs/leaving_lismore
+2=jigs/glasgow_police_pipers
+3=jigs/paddys_leather_breeches
+
+[Hornpipe & Jigs]
+1=hornpipes/uphold_the_right
+2=jigs/archie_beag
+3=jigs/banjo_breakdown
+
+[Murray's Fancy]
+1=suites/murrays_fancy_6_hornpipe
+
+[Amazing Grace]
+1=airs/amazing_grace
+
+[Highland Cathedral]
+1=airs/highland_cathedral
diff --git a/_sets/2-4_marches.ly b/_sets/2-4_marches.ly
new file mode 100644
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--- /dev/null
+++ b/_sets/2-4_marches.ly
@@ -0,0 +1,8 @@
+% $Id: /Music/Bagpipe/_sets/2-4_marches.ly 174 2005-09-10T23:33:14.464875Z sven  $
+
+\header {
+    title = "2/4 Marches"
+}
+
+\include "2-4_marches/corriechoillie.ly"
+\include "2-4_marches/teribus.ly"
diff --git a/_sets/3-4_marches.ly b/_sets/3-4_marches.ly
new file mode 100644
index 0000000..2fa5546
--- /dev/null
+++ b/_sets/3-4_marches.ly
@@ -0,0 +1,8 @@
+% $Id: /Music/Bagpipe/_sets/3-4_marches.ly 174 2005-09-10T23:33:14.464875Z sven  $
+
+\header {
+    title = "3/4 Marches"
+}
+
+\include "3-4_marches/green_hills_of_tyrol.ly"
+\include "3-4_marches/when_the_battle_is_over.ly"
diff --git a/_sets/4-4_marches_1.ly b/_sets/4-4_marches_1.ly
new file mode 100644
index 0000000..2b6be50
--- /dev/null
+++ b/_sets/4-4_marches_1.ly
@@ -0,0 +1,10 @@
+% $Id: /Music/Bagpipe/_sets/4-4_marches_1.ly 189 2005-12-18T17:12:37.812500Z sven  $
+
+\header {
+    title = "4/4 Marches Set 1"
+}
+
+\include "4-4_marches/scotland_the_brave.ly"
+\include "4-4_marches/badge_of_scotland.ly"
+#(break-before-next-score)
+\include "4-4_marches/rowan_tree.ly"
diff --git a/_sets/4-4_marches_2.ly b/_sets/4-4_marches_2.ly
new file mode 100644
index 0000000..8964c3b
--- /dev/null
+++ b/_sets/4-4_marches_2.ly
@@ -0,0 +1,11 @@
+% $Id: /Music/Bagpipe/_sets/4-4_marches_2.ly 189 2005-12-18T17:12:37.812500Z sven  $
+
+\header {
+    title = "4/4 Marches Set 2"
+}
+
+\include "4-4_marches/silver_wings.ly"
+\include "4-4_marches/lord_lovats_lament.ly"
+#(break-before-next-score)
+\include "4-4_marches/flett_from_flotta.ly"
+\include "4-4_marches/braes_of_bonhill.ly"
diff --git a/_sets/4-4_marches_3.ly b/_sets/4-4_marches_3.ly
new file mode 100644
index 0000000..c2d1d7f
--- /dev/null
+++ b/_sets/4-4_marches_3.ly
@@ -0,0 +1,9 @@
+% $Id: /Music/Bagpipe/_sets/4-4_marches_3.ly 189 2005-12-18T17:12:37.812500Z sven  $
+
+\header {
+    title = "4/4 Marches Set 3"
+}
+
+\include "4-4_marches/boys_brigade_centenary_march.ly"
+#(break-before-next-score)
+\include "4-4_marches/cabar_feidh.ly"
diff --git a/_sets/6-8_marches_1.ly b/_sets/6-8_marches_1.ly
new file mode 100644
index 0000000..115452a
--- /dev/null
+++ b/_sets/6-8_marches_1.ly
@@ -0,0 +1,9 @@
+% $Id: /Music/Bagpipe/_sets/6-8_marches_1.ly 189 2005-12-18T17:12:37.812500Z sven  $
+
+\header {
+    title = "6/8 Marches Set 1"
+}
+
+\include "6-8_marches/atholl_highlanders.ly"
+#(break-before-next-score)
+\include "6-8_marches/cock_of_the_north.ly"
diff --git a/_sets/6-8_marches_2.ly b/_sets/6-8_marches_2.ly
new file mode 100644
index 0000000..b3028ca
--- /dev/null
+++ b/_sets/6-8_marches_2.ly
@@ -0,0 +1,9 @@
+% $Id: /Music/Bagpipe/_sets/6-8_marches_2.ly 189 2005-12-18T17:12:37.812500Z sven  $
+
+\header {
+    title = "6/8 Marches Set 2"
+}
+
+\include "6-8_marches/ballochyle.ly"
+#(break-before-next-score)
+\include "6-8_marches/duncan_mcgillivray.ly"
diff --git a/_sets/9-8_marches.ly b/_sets/9-8_marches.ly
new file mode 100644
index 0000000..db8fb62
--- /dev/null
+++ b/_sets/9-8_marches.ly
@@ -0,0 +1,13 @@
+% $Id: /Music/Bagpipe/_sets/9-8_marches.ly 214 2006-04-16T22:10:50.062500Z sven  $
+
+\header {
+    title = "9/8 Marches"
+}
+
+\include "9-8_marches/battle_of_the_somme.ly"
+\include "9-8_marches/grinder.ly"
+\include "9-8_marches/heights_of_dargai.ly"
+
+\paper {
+  between-system-space = 15\mm
+}
diff --git a/_sets/medley_2008_strasbourg.ly b/_sets/medley_2008_strasbourg.ly
new file mode 100644
index 0000000..71260e8
--- /dev/null
+++ b/_sets/medley_2008_strasbourg.ly
@@ -0,0 +1,32 @@
+% $Id: /Music/Bagpipe/_sets/6-8_marches_1.ly 189 2005-12-18T17:12:37.812500Z sven  $
+
+\header {
+    title = "2008 Medley for Strasbourg"
+}
+
+\markuplines{\wordwrap{Four bars jig intro, then first four bars extending the 
+    last note of bar 2 and 4 by four extra beats, then start again from the top.}}
+\include "jigs/archie_beag.ly"
+\include "airs/mist_covered_mountains.ly"
+
+#(break-before-next-score)
+\include "strathspeys/unknown.ly"
+\include "strathspeys/mac_an_irish.ly"
+\include "scandinavian/harp_schottis.ly"
+
+#(break-before-next-score)
+\include "reels/airlies_big_day.ly"
+\include "reels/foot_it_neatly.ly"
+\include "piobaireachd/lament_for_the_harp_tree.ly"
+
+\markuplines{\wordwrap{Hold the cluster for 10 seconds or so, start with cuttings
+    from the top, one set of unison cuttings before the tune starts.}}
+
+#(break-before-next-score)
+\include "jigs/braes_of_mellinish.ly"
+
+\markuplines{\wordwrap{Cluster like before, one single beat in jig tempo then
+    break immediately into hornpipe.}}
+
+#(break-before-next-score)
+\include "suites/murrays_fancy_6_hornpipe.ly"
\ No newline at end of file
diff --git a/_sets/quintet_2006_open_grade.ly b/_sets/quintet_2006_open_grade.ly
new file mode 100644
index 0000000..e193ef9
--- /dev/null
+++ b/_sets/quintet_2006_open_grade.ly
@@ -0,0 +1,18 @@
+% $Id: /Music/Bagpipe/_sets/quintet_2006_open_grade.ly 207 2006-03-05T23:12:54.793764Z sven  $
+
+\header {
+    title = "Open Grade Quintet 2006"
+    dedication = "Mats, Sven, Daniel, Eugen, Marie"
+}
+
+\include "reels/me_clootch_is_awee.ly"
+\include "piobaireachd/his_fathers_lament_for_donald_mackenzie.ly"
+#(break-before-next-score)
+\include "strathspeys/unknown.ly"
+\include "reels/macleods_reel.ly"
+#(break-before-next-score)
+\include "reels/joes_rant.ly"
+#(break-before-next-score)
+\include "reels/sheepwife.ly"
+#(break-before-next-score)
+\include "jigs/fiddlers_rally_mpdset.ly"
diff --git a/bagpipe.ly b/bagpipe.ly
new file mode 100755
index 0000000..f508d36
--- /dev/null
+++ b/bagpipe.ly
@@ -0,0 +1,345 @@
+%{
+  Bagpipe music settings for Lilypond.
+  This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
+  
+  Substantial changes and additions made by 
+  Sven Axelsson, the Murray Pipes & Drums of Gothenburg
+  (http://www.murrays.nu)
+  
+  $Id: /Music/Bagpipe/bagpipe.ly 227 2007-10-16T13:16:11.328125Z sven  $
+%}
+
+\version "2.11.0"
+
+% Notes of the scale of the Great Highland Bagpipe. Extra high notes for bombarde.
+% Flat notes used mainly in some modern music.
+
+pitchnamesBagpipe = #`(
+  (G     . ,(ly:make-pitch 0 4 NATURAL))
+  (a     . ,(ly:make-pitch 0 5 NATURAL))
+  (b     . ,(ly:make-pitch 0 6 NATURAL))
+  (bflat . ,(ly:make-pitch 0 6 FLAT))
+  (c     . ,(ly:make-pitch 1 0 SHARP))
+  (cflat . ,(ly:make-pitch 1 0 FLAT))
+  (d     . ,(ly:make-pitch 1 1 NATURAL))
+  (e     . ,(ly:make-pitch 1 2 NATURAL))
+  (f     . ,(ly:make-pitch 1 3 SHARP))
+  (fflat . ,(ly:make-pitch 1 3 FLAT))
+  (g     . ,(ly:make-pitch 1 4 NATURAL))
+  (gflat . ,(ly:make-pitch 1 4 FLAT))
+  (A     . ,(ly:make-pitch 1 5 NATURAL))
+  (B     . ,(ly:make-pitch 1 6 NATURAL))
+  (C     . ,(ly:make-pitch 2 0 SHARP))
+)
+pitchnames = \pitchnamesBagpipe
+#(ly:parser-set-note-names parser pitchnames)
+
+% Bagpipe music is written in something like D major. If we use
+% flattened notes, the flat should be shown on all instances.
+bagpipeKey = {
+    \key d \major
+    #(set-accidental-style 'forget)
+}
+
+% Show the key signature e.g. for BMW compatibility.
+showKeySignature = {
+  \override Staff.KeySignature #'stencil = #'ly:key-signature-interface::print
+}
+
+% Show the true key signature (E-flat major). Use together with 
+% \transpose f a to print scores for other instruments.
+showTrueKeySignature = {
+  \override Staff.KeySignature #'stencil = #'ly:key-signature-interface::print
+  \override Stem #'direction = #0
+  \override Slur #'direction = #0
+  \override Tie #'direction = #0
+}
+
+% Various tweaks to get good defaults for bagpipe music.
+\layout {
+  indent = 0.0
+  
+  \context {
+    \Score
+    
+    \remove "Bar_number_engraver"
+    
+    \override Stem #'direction = #down
+    \override Slur #'direction = #up
+    \override Tie #'direction = #up
+    
+    \override KeySignature #'print-function = ##f
+    \override VoltaBracket #'Y-offset = #7.4
+    \override VoltaBracket #'height = #2.2
+  }
+  
+  \context {
+    \StaffGroup
+    
+    extraNatural = ##f
+    
+    \override KeySignature #'stencil = ##f
+  }
+  
+  \context {
+    \Staff
+    
+    extraNatural = ##f
+    midiInstrument = #"bagpipe"
+    
+    \override KeySignature #'stencil = ##f
+  }
+}
+
+% Some common timing tweaks.
+
+% Sets the autobeamer to span quarter notes only. Use for fast music.
+quarterBeaming = {
+  #(override-auto-beam-setting '(end * * * *) 1 4 'Staff)
+  #(override-auto-beam-setting '(end * * * *) 1 2 'Staff)
+  #(override-auto-beam-setting '(end * * * *) 3 4 'Staff)
+  #(override-auto-beam-setting '(end * * * *) 4 4 'Staff)
+  #(revert-auto-beam-setting '(end 1 32 2 4 ) 1 8 'Staff)
+  #(revert-auto-beam-setting '(end 1 32 2 4 ) 3 8 'Staff)
+  #(revert-auto-beam-setting '(end 1 32 4 4 ) 1 8 'Staff)
+  #(revert-auto-beam-setting '(end 1 32 4 4 ) 3 8 'Staff)
+  #(revert-auto-beam-setting '(end 1 32 4 4 ) 5 8 'Staff)
+  #(revert-auto-beam-setting '(end 1 32 4 4 ) 7 8 'Staff)
+}
+halfBeaming = {
+  #(override-auto-beam-setting '(end * * 2 2) 1 2 'Staff)
+  #(override-auto-beam-setting '(end * * 2 2) 2 2 'Staff)
+}
+% Reels are in allabreve time with half note beaming.
+reelTime = {
+  \time 2/2
+  \halfBeaming
+}
+% 4/4 marches are written with numerical time signature and with quarter beaming.
+marchTime = {
+  \time 4/4
+  \numericTimeSignature
+  \quarterBeaming
+}
+
+% Single grace notes
+grG = { \grace { \small G32 } }
+gra = { \grace { \small a32 } }
+grb = { \grace { \small b32 } }
+grc = { \grace { \small c32 } }
+grd = { \grace { \small d32 } }
+gre = { \grace { \small e32 } }
+grf = { \grace { \small f32 } }
+grg = { \grace { \small g32 } }
+grA = { \grace { \small A32 } }
+
+% Doublings
+dblG = { \grace { \small g32[ G d] } }
+dbla = { \grace { \small g32[ a d] } }
+dblb = { \grace { \small g32[ b d] } }
+dblc = { \grace { \small g32[ c d] } }
+dbld = { \grace { \small g32[ d e] } }
+dble = { \grace { \small g32[ e f] } }
+dblf = { \grace { \small g32[ f g] } }
+% These are the same as the half doublings.
+dblg = { \grace { \small g32[ f] } }
+dblA = { \grace { \small A32[ g] } }
+
+% Half doublings
+hdblG = { \grace { \small G32[ d] } }
+hdbla = { \grace { \small a32[ d] } }
+hdblb = { \grace { \small b32[ d] } }
+hdblc = { \grace { \small c32[ d] } }
+hdbld = { \grace { \small d32[ e] } }
+hdble = { \grace { \small e32[ f] } }
+hdblf = { \grace { \small f32[ g] } }
+hdblg = { \grace { \small g32[ f] } }
+hdblA = { \grace { \small A32[ g] } }
+
+% Thumb doublings
+tdblG = { \grace { \small A32[ G d] } }
+tdbla = { \grace { \small A32[ a d] } }
+tdblb = { \grace { \small A32[ b d] } }
+tdblc = { \grace { \small A32[ c d] } }
+tdbld = { \grace { \small A32[ d e] } }
+tdble = { \grace { \small A32[ e f] } }
+tdblf = { \grace { \small A32[ f g] } }
+tdblg = { \grace { \small A32[ g f] } }
+
+% Shakes
+% A few of these can't really be played and are here only for consistency.
+shakea = { \grace { \small g32[ a d a G] } }
+shakeb = { \grace { \small g32[ b d b G] } }
+shakec = { \grace { \small g32[ c d c G] } }
+shaked = { \grace { \small g32[ d e d G] } }
+shakee = { \grace { \small g32[ e f e a] } }
+shakef = { \grace { \small g32[ f g f a] } }
+shakeg = { \grace { \small A32[ f g a] } }
+shakeA = { \grace { \small A32[ g A a] } }
+
+% Half shakes
+hshakea = { \grace { \small a32[ d a G] } }
+hshakeb = { \grace { \small b32[ d b G] } }
+hshakec = { \grace { \small c32[ d c G] } }
+hshaked = { \grace { \small d32[ e d G] } }
+hshakee = { \grace { \small e32[ f e a] } }
+hshakef = { \grace { \small f32[ g f a] } }
+hshakeg = { \grace { \small g32[ f g a] } }
+hshakeA = { \grace { \small A32[ g A a] } }
+
+% Thumb shakes
+tshakea = { \grace { \small A32[ a d a G] } }
+tshakeb = { \grace { \small A32[ b d b G] } }
+tshakec = { \grace { \small A32[ c d c G] } }
+tshaked = { \grace { \small A32[ d e d G] } }
+tshakee = { \grace { \small A32[ e f e a] } }
+tshakef = { \grace { \small A32[ f g f a] } }
+tshakeg = { \grace { \small A32[ f g a] } }
+tshakeA = { \grace { \small A32[ g A a] } }
+
+% Slurs
+% A few of these can't really be played and are here only for consistency.
+slura = { \grace { \small g32[ a G] } }
+slurb = { \grace { \small g32[ b G] } }
+slurc = { \grace { \small g32[ c G] } }
+slurd = { \grace { \small g32[ d G] } }
+slure = { \grace { \small g32[ e a] } }
+slurf = { \grace { \small g32[ f a] } }
+slurg = { \grace { \small A32[ f a] } }
+slurA = { \grace { \small f32[ a] } }
+
+% Half slurs
+hslura = { \grace { \small a32[ G] } }
+hslurb = { \grace { \small b32[ G] } }
+hslurc = { \grace { \small c32[ G] } }
+hslurd = { \grace { \small d32[ G] } }
+hslure = { \grace { \small e32[ a] } }
+hslurf = { \grace { \small f32[ a] } }
+hslurg = { \grace { \small g32[ a] } }
+hslurA = { \grace { \small A32[ a] } }
+
+% Thumb slurs
+tslura = { \grace { \small A32[ a G] } }
+tslurb = { \grace { \small A32[ b G] } }
+tslurc = { \grace { \small A32[ c G] } }
+tslurd = { \grace { \small A32[ d a] } }
+tslure = { \grace { \small A32[ e a] } }
+tslurf = { \grace { \small A32[ f a] } }
+tslurg = { \grace { \small A32[ f a] } }
+tslurA = { \grace { \small f32[ a] } }
+
+% Catches
+catcha = { \grace { \small a32[ G d G] } }
+catchb = { \grace { \small b32[ G d G] } }
+catchc = { \grace { \small c32[ G d G] } }
+catchd = { \grace { \small d32[ G b G] } }
+catche = { \grace { \small e32[ G d G] } }
+
+% G-grace catches
+gcatcha = { \grace { \small g32[ a G d G] } }
+gcatchb = { \grace { \small g32[ b G d G] } }
+gcatchc = { \grace { \small g32[ c G d G] } }
+gcatchd = { \grace { \small g32[ d G b G] } }
+gcatche = { \grace { \small g32[ e G d G] } }
+
+% Thumb catches
+tcatcha = { \grace { \small A32[ a G d G] } }
+tcatchb = { \grace { \small A32[ b G d G] } }
+tcatchc = { \grace { \small A32[ c G d G] } }
+tcatchd = { \grace { \small A32[ d G b G] } }
+tcatche = { \grace { \small A32[ e G d G] } }
+
+% Triple strikes (BMW has them all, but I've never seen any but the A one used, so ...)
+tripleA = { \grace { \small A32[ g A g A g] } }
+
+% Throws
+thrwd     = { \grace { \small G32[ d c] } }
+Gthrwd    = { \grace { \small d32[ c] } }
+gripthrwd = { \grace { \small G32[ d G c] } }
+thrwe     = { \grace { \small e32[ a f a] } }
+thrwf     = { \grace { \small f32[ e g e] } }
+
+% Birls
+birl  = { \grace { \small a32[ G a G] } }
+wbirl = { \grace { \small G32[ a G] } }
+gbirl = { \grace { \small g32[ a G a G] } }
+dbirl = { \grace { \small d32[ a G a G] } }
+
+% Grips
+grip  = { \grace { \small G32[ d G] } }
+dgrip = { \grace { \small G32[ b G] } }
+egrip = { \grace { \small G32[ e G] } }
+
+% Taorluaths
+taor    = { \grace { \small G32[ d G e] } }
+dtaor   = { \grace { \small G32[ b G e] } }
+Gtaor   = { \grace { \small d32[ G e] } }
+taoramb = { \grace { \small G32[ d G b e] } }
+taoramc = { \grace { \small G32[ d G c e] } }
+taoramd = { \grace { \small G32[ d G c d e] } }
+
+% Crunluaths
+crun    = { \grace { \small G32[ d G e a f a ] } }
+dcrun   = { \grace { \small G32[ b G e a f a ] } }
+Gcrun   = { \grace { \small d32[ G e G f a ] } }
+crunamb = { \grace { \small G32[ d G b e b f b ] } }
+crunamc = { \grace { \small G32[ d G c e c f c ] } }
+crunamd = { \grace { \small G32[ d G c d e d f d ] } }
+crunambfosg = { \grace { \small e32[ b f b ] } }
+crunamcfosg = { \grace { \small e32[ c f c ] } }
+crunamdfosg = { \grace { \small e32[ d f d ] } }
+
+% Special piobaireachd notations
+grGcad  = { \grace { \small G16 } }
+gracad  = { \grace { \small a16 } }
+cad     = { \grace { \small g32[ e8 d32] } }
+hcad    = { \grace { \small g32[ e8] } }
+tcad     = { \grace { \small e8[ d32] } }
+thcad    = { \grace { \small e8 } }
+% This is the same as thrwe
+dre     = { \grace { \small e32[ a f a] } }
+% This is the same as thrwf
+dare    = { \grace { \small f32[ e g e] } }
+bari    = { \grace { \small e32[ G f G] } }
+dari    = { \grace { \small f32[ e g e f e] } }
+pthrwd  = { \grace { \small G32[ d32 c] } }
+darodo  = { \grace { \small G32[ d G c G] } }
+Gdarodo = { \grace { \small d32[ G c G] } }
+pdarodo  = { \grace { \small G16[ d32 G c G16] } }
+pGdarodo = { \grace { \small d32[ G c G16] } }
+% Weird stuff from Joseph MacDonald’s book
+fifteenthcutting = { \grace { \small G32[ d G e a f a e a d] } }
+fifteenthcuttingG = { \grace { \small G32[ d G e G f G e G d] } }
+Gfifteenthcutting = { \grace { \small d32[ G e a f a e a d] } }
+GfifteenthcuttingG = { \grace { \small d32[ G e G f G e G d] } }
+seventeenthcutting = { \grace { \small G32[ d G e a f a e a d a c] } }
+seventeenthcuttingG = { \grace { \small G32[ d G e G f G e G d G c] } }
+Gseventeenthcutting = { \grace { \small d32[ G e a f a e a d a c] } }
+GseventeenthcuttingG = { \grace { \small d32[ G e G f G e G d G c] } }
+barluadh = { \grace { \small G32[ d G e a f a e a d a c a b a e a f a] } }
+barluadhG = { \grace { \small G32[ d G e G f G e G d G c G b G e G f G] } }
+Gbarluadh = { \grace { \small d32[ G e a f a e a d a c a b a e a f a] } }
+GbarluadhG = { \grace { \small d32[ G e G f G e G d G c G b G e G f G] } }
+% Non-gracenote piobaireachd markup.
+trebling = \markup { 
+  \override #'(baseline-skip . 0.3)
+  \column { 
+    \musicglyph #"scripts.tenuto" 
+    \musicglyph #"scripts.tenuto" 
+    \musicglyph #"scripts.tenuto" 
+  }
+}
+% Abbreviated notation common in piobaireachd scores.
+% TODO: Make sure these are put on a fixed Y-position.
+txtaor = \markup { "T" }
+txcrun = \markup { "C" }
+txtaorcrun = \markup {
+  \override #'(baseline-skip . 1.8)
+  \column { "T" "C" } 
+}
+txtaoram = \markup { "T’’" }
+txcrunam = \markup { "C’’" }
+txtaorcrunam = \markup { 
+  \override #'(baseline-skip . 1.8)
+  \column { "T’’" "C’’" }
+}
diff --git a/cheatsheet.ly b/cheatsheet.ly
new file mode 100644
index 0000000..90c384d
--- /dev/null
+++ b/cheatsheet.ly
@@ -0,0 +1,251 @@
+%{
+    All of the bagpipe specific markup.
+        
+    $Id: /Music/Bagpipe/cheatsheet.ly 227 2007-10-16T13:16:11.328125Z sven  $
+%}
+
+\version "2.11.43"
+
+#(ly:set-option 'point-and-click #f)
+
+% Choose a size
+#(set-global-staff-size 18)
+#(set-default-paper-size "a4" 'landscape)
+
+\include "bagpipe.ly"
+
+\paper {
+  indent = 0\mm
+  ragged-right = ##t
+  ragged-bottom = ##t
+}
+\layout {
+    indent = 30\mm
+    \context {
+        \Staff
+        \remove "Bar_engraver"
+        \remove "Time_signature_engraver"
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Plain notes "
+    G4 a b c cflat d e f fflat g gflat A
+    }
+    \addlyrics { 
+    G a b c cflat d e f fflat g gflat A 
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Single grace notes "
+    \grG a4 \gra a \grb a \grc a \grd a 
+    \gre a \grf a \grg a \grA a
+    }
+    \addlyrics { 
+    "\grG" "\gra" "\grb" "\grc" "\grd" 
+    "\gre" "\grf" "\grg" "\grA" 
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Doublings "
+    \dblG G \dbla a \dblb b \dblc c \dbld d
+    \dble e \dblf f \dblg g \dblA A \tripleA A
+    \hdblf f \tdblf f
+    }
+    \addlyrics { 
+    "\dblG" "\dbla" "\dblb" "\dblc" "\dbld" 
+    "\dble" "\dblf" "\dblg" "\dblA" 
+    "\\tripleA" "\hdblf" "\\tdblf"
+    }
+}
+\markup { "All other half doublings and thumb doublings are available similarly." }
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Slurs "
+    \slura a \slurb b \slurc c \slurd d
+    \slure e \slurf f \slurg g \slurA A
+    \hslurf f \tslurf f
+    }
+    \addlyrics { 
+    "\slura" "\slurb" "\slurc" "\slurd" 
+    "\slure" "\slurf" "\slurg" "\slurA" 
+    "\hslurf" "\\tslurf"
+    }
+}
+\markup { "All other half slurs and thumb slurs are available similarly. " 
+          "Note that many of these aren't really playable, and are only included for consistency." }
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Shakes "
+    \shakea a \shakeb b \shakec c \shaked d
+    \shakee e \shakef f \shakeg g \shakeA A
+    \hshakef f \tshakef f
+    }
+    \addlyrics { 
+    "\shakea" "\shakeb" "\shakec" "\shaked" 
+    "\shakee" "\shakef" "\shakeg" "\shakeA" 
+    "\hshakef" "\\tshakef"
+    }
+    \header { piece = " " breakbefore = ##t }
+}
+\markup { "All other half shakes and thumb shakes are available similarly. " 
+          "Note that many of these aren't really playable, and are only included for consistency." }
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Catches "
+    e \catcha a e \catchb b e \catchc c e \catchd d f \catche e
+    e \gcatchc c g \tcatchc c
+    }
+    \addlyrics { 
+    \skip 4 "\catcha" \skip 4 "\catchb" \skip 4 "\catchc" \skip 4 "\catchd"
+    \skip 4 "\catche" \skip 4 "\gcatchc" \skip 4 "\\tcatchc" 
+    }
+}
+
+\markup { "All other g-grace catches and thumb catches are available similarly." }
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Throws "
+    a \thrwd d G \Gthrwd d e \thrwf f a \gripthrwd d
+    }
+    \addlyrics { 
+    \skip 4 "\\thrwd" \skip 4 "\Gthrwd" \skip 4 "\\thrwf" \skip 4 "\\gripthrwd" 
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = "Grips and birls "
+    a \grip c a \dgrip d a \egrip c
+    \birl a \wbirl a \gbirl a \dbirl a
+    }
+    \addlyrics { 
+    \skip 4 "\grip" \skip 4 "\dgrip" \skip 4 "\egrip" 
+    "\birl" "\wbirl" "\gbirl" "\dbirl" 
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = \markup { "Taorluath " }
+    e \taor a d \dtaor a G \Gtaor a
+    b \taoramb b c \taoramc c b \taoramd d
+    }
+    \addlyrics { 
+    \skip 4 "\\taor" \skip 4 "\dtaor" \skip 4 "\Gtaor" 
+    \skip 4 "\\taoramb" \skip 4 "\\taoramc" \skip 4 "\\taoramd" 
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = \markup { "Crunluath " }
+    e \crun e d \dcrun e G \Gcrun e
+    b \crunamb e c \crunamc e b \crunamd e
+    }
+    \addlyrics { 
+    \skip 4 "\\crun" \skip 4 "\dcrun" \skip 4 "\Gcrun" 
+    \skip 4 "\\crunamb" \skip 4 "\\crunamc" \skip 4 "\\crunamd" 
+    }
+    \header { piece = " " breakbefore = ##t }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = \markup { \column { "Piobaireachd " "notation " } }
+    \cad c4 A \hcad c 
+    e \gracad e d \grGcad d
+    a \pthrwd d c \darodo b G \Gdarodo c
+    a \dre e G \bari g e \dari g e \dare f
+    }
+    \addlyrics { 
+    "\cad" \skip 4 "\hcad" 
+    \skip 4 "\gracad" \skip 4 "\grGcad" 
+    \skip 4 "\pthrwd" \skip 4 "\darodo" \skip 4 "\Gdarodo" 
+    \skip 4 "\dre" \skip 4 "\bari" \skip 4 "\dari" \skip 4 "\dare" 
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = " "
+    a16_\trebling d8. a4_\txtaor a4_\txcrun a4_\txtaorcrun
+    a4_\txtaoram a4_\txcrunam a4_\txtaorcrunam
+    }
+    \addlyrics {
+    "\\trebling" \skip 8. "\\txtaor" "\\txcrun" "\\txtaorcrun"
+    "\\txtaoram" "\\txcrunam" "\\txtaorcrunam"
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = \markup { \column { "Ancient movements" "J. MacDonald" } }
+    e \fifteenthcutting a G \Gfifteenthcutting a
+    e \seventeenthcutting a G \Gseventeenthcutting a
+    }
+    \addlyrics { 
+    \skip 4 "\fifteenthcutting" \skip 4 "\Gfifteenthcutting" 
+    \skip 4 "\seventeenthcutting" \skip 4 "\Gseventeenthcutting"
+    }
+}
+
+\score {
+    {
+    \bagpipeKey
+    \set Staff.instrumentName = " "
+    e \barluadh g G \Gbarluadh g
+    }
+    \addlyrics {
+    \skip 4 "\barluadh" \skip 4 "\Gbarluadh"
+    }
+}
+    
+\markup {
+\column {
+    \override #'(line-width . 130)
+    \justify {
+    These are the specific bagpipe markups that are 
+    available. You need to know alot more about entering normal music 
+    in order to produce userful output. All of this is available in 
+    the Lilypond tutorial and manual, as well as in the tips, regression 
+    tests, and snippet repository.
+    }
+    \line { " " }
+    \override #'(line-width . 130)
+    \justify {
+    Check out \with-url #"http://www.lilypond.org/" {\bold www.lilypond.org} to learn
+    more about this. All of these things are linked from the documentation
+    page. Make sure you use the \bold 2.10.0 documentation — lots of
+    things have changed since the older versions.
+    }
+}
+}
+
+\header {
+    title = "Cheat sheet for entering bagpipe music"
+    subtitle = "Intended for Lilypond 2.11 or better"
+    tagline = \markup { "P/S Sven Axelsson, MPD" }
+}
\ No newline at end of file
diff --git a/format.ly b/format.ly
new file mode 100644
index 0000000..308e937
--- /dev/null
+++ b/format.ly
@@ -0,0 +1,39 @@
+%{
+    Header formatting for bagpipe tunes. Customize to get your name in the tag line.
+    
+    $Id: /Music/Bagpipe/format.ly 227 2007-10-16T13:16:11.328125Z sven  $
+%}
+
+\version "2.11.43"
+
+% Bring in the time/date package. Set format to month day, year
+
+#(use-modules (srfi srfi-19))
+today = #(date->string (current-date) "~B ~d, ~Y")
+
+\paper {
+    raggedbottom = ##t
+    tagline = \markup {
+        \line {
+            "Rev. " \today 
+            #(ly:export (ly:wide-char->utf-8 #x2014)) % Em-dash
+            "P/S Sven Axelsson, MPD"
+        }
+    }
+    scoreTitleMarkup = \markup {
+        \override #'(baseline-skip . 3)
+        \column {
+            \fill-line {
+                \column {
+                    \large \bold \fromproperty #'header:title
+                    \bold \fromproperty #'header:subtitle
+                }
+                \fromproperty #'header:meter
+                \line { \fromproperty #'header:composer " " \italic \fromproperty #'header:arranger } 
+            }
+            #(ly:export (if (not (ly:get-option 'without-comment)) 
+                         (markup #:justify-field 'header:comment)
+                         (markup)))
+        }
+    }
+}
diff --git a/formatbook.ly b/formatbook.ly
new file mode 100644
index 0000000..9c0827a
--- /dev/null
+++ b/formatbook.ly
@@ -0,0 +1,49 @@
+%{
+    Header formatting for bagpipe tunes. Customize to get your name in the tag line.
+    
+    $Id: format.ly 225 2005-09-10 23:34:07Z sven $
+%}
+
+\version "2.11.43"
+
+% Bring in the time/date package. Set format to month day, year
+
+#(use-modules (srfi srfi-19))
+today = #(date->string (current-date) "~B ~d, ~Y")
+
+\paper {
+    raggedbottom = ##t
+    tagline = \markup {
+        \line {
+            "Rev. " \today 
+            #(ly:export (ly:wide-char->utf-8 #x2014)) % Em-dash
+            "P/S Sven Axelsson, MPD"
+        }
+    }
+    bookTitleMarkup = \markup {
+      \override #'(baseline-skip . 3.5)
+      \column {
+        \fill-line { \fromproperty #'header:dedication }
+        \override #'(baseline-skip . 3.5)
+        \column {
+          \huge \bigger \bold
+          \fill-line {
+            \bigger \fromproperty #'header:title
+          }
+          \fill-line {
+            \large \smaller \bold
+            \bigger \fromproperty #'header:subtitle
+          }
+          \fill-line {
+            \smaller
+            \line { "(" \fromproperty #'header:source ")" }
+          }
+          \fill-line {
+            \line { \fromproperty #'header:meter }
+            \line { \fromproperty #'header:composer " " \italic \fromproperty #'header:arranger }
+          }
+          \fill-line { " " } % Empty line
+        }
+      }
+    }
+}
diff --git a/readme.txt b/readme.txt
new file mode 100644
index 0000000..ef0bf7e
--- /dev/null
+++ b/readme.txt
@@ -0,0 +1,67 @@
+ATT SKRIVA SÄCKPIPEMUSIK MED LILYPOND
+=====================================
+
+
+1. Installera Lilypond 2.6.0
+----------------------------
+
+* Numera finns "riktiga" installerare för Mac och Windows och Red Hat Linux.
+  Det finns också en version som använder Autopackage; en universell
+  Linux-installerare.
+* Hämta installeraren för ditt system här: http://lilypond.org/web/install/
+* Gör som du brukar för att installera.
+
+
+2. Installera och använda bagpipe.ly
+------------------------------------
+
+* Dessa instruktioner är skrivna för Windows. Om du kör något annat så får du
+  själv lista ut vad som skiljer sig.
+  
+Skapa en katalog för musikfiler, t.ex. C:\Music och kopiera alla filer och kataloger
+från bagpipe.zip till den nya katalogen. OBS lägg inte filerna i Mina dokument
+eftersom en del av de program som behövs för Lilypond inte tycker om sökvägar
+med blanksteg i.
+
+Kopiera filerna i mappen scm till motsvarande mapp i din Lilypond-installation
+och skriv över de två filerna där. Dessa filer finns normalt i
+C:\Program\LilyPond\usr\share\lilypond\2.6.0\scm
+OBS: Detta är viktigt! Dessa filer krävs för att rubriker ska fungera korrekt.
+
+Dubbelklicka på cheatsheet.ly. Detta skapar en PDF med alla specifika säckpipe-
+kommandon, så du kan se hur du skriver t.ex. en crunluath a mach. Nu ser du också
+om din installation fungerar som den ska.
+
+OBS: när du dubbelklickat på en *.ly-fil så verkar det som inget händer. Detta är
+normalt. Lilypond räknar och tänker en stund innan den skapar PDF-filen. Om du
+kör en stor fil, t.ex. standard_settings.ly, så kan det ta upp till en minut
+innan du ser att något händer.
+
+bagpipe.ly är där alla säckpipespecifika kommandon och inställningar finns. Titta
+gärna i filen för att se hur saker och ting fungerar. Om du upptäcker gracenoter
+som saknas lägger du till dessa här.
+
+format.ly anger rubrikformatet. Ändra här om du vill att rubrikerna ska se ut
+på något annat sätt än Sven Axelssons standardformat.
+
+music.ly är ett exempel på hur du genererar filer med musik från notbiblioteket.
+För att det ska gå smidigt att sätta samman många låtar i olika set så
+inkluderar inte varje låt själv bagpipe.ly och format.ly, utan detta görs
+från en särskild fil som sen inkluderar en eller flera låtar.
+
+standard_settings.ly är ytterligare ett sådant exempel. Det är början till
+vår berömda bok med alla våra fantastiska arrangemang.
+
+_template.ly är en mall du kan använda för att skriva nya låtar. Alla låtfiler
+ska struktureras på detta sätt.
+
+OBS igen: Om du vill skriva rubriker eller annan text som innehåller svenska
+tecken (eller japanska, eller ryska) så måste du spara filen i formatet
+UTF-8. Windows-användare kan använda Notepad till detta. Ni andra får själva
+hitta ett lämpligt program.
+
+cheatsheet.ly PDF:en och bagpipe.ly bör vara nog för att du ska förstå hur
+säckpipenotationen fungerar. Du behöver säkert också läsa Lilypond-dokumentationen
+som finns här: http://lilypond.org/doc/v2.6/Documentation/out-www/
+
+Det var det hela.