mirror of
https://github.com/kastdeur/bagpipe.ly.git
synced 2024-11-01 01:53:32 +01:00
eff84ef9e8
Updated makelily build script. Renamed bagpipe.ly so it doesn't conflict with the standard one. Some minor fixes.
343 lines
11 KiB
Text
343 lines
11 KiB
Text
%{
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Bagpipe music settings for Lilypond.
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This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
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Substantial changes and additions made by
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Sven Axelsson, the Murray Pipes & Drums of Gothenburg
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(http://www.murrays.nu)
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%}
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\version "2.12.0"
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% Notes of the scale of the Great Highland Bagpipe. Extra high notes for bombarde.
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% Flat notes used mainly in some modern music.
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pitchnamesBagpipe = #`(
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(G . ,(ly:make-pitch 0 4 NATURAL))
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(a . ,(ly:make-pitch 0 5 NATURAL))
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(b . ,(ly:make-pitch 0 6 NATURAL))
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(bflat . ,(ly:make-pitch 0 6 FLAT))
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(c . ,(ly:make-pitch 1 0 SHARP))
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(cflat . ,(ly:make-pitch 1 0 FLAT))
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(d . ,(ly:make-pitch 1 1 NATURAL))
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(e . ,(ly:make-pitch 1 2 NATURAL))
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(f . ,(ly:make-pitch 1 3 SHARP))
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(fflat . ,(ly:make-pitch 1 3 FLAT))
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(g . ,(ly:make-pitch 1 4 NATURAL))
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(gflat . ,(ly:make-pitch 1 4 FLAT))
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(A . ,(ly:make-pitch 1 5 NATURAL))
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(B . ,(ly:make-pitch 1 6 NATURAL))
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(C . ,(ly:make-pitch 2 0 SHARP))
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)
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pitchnames = \pitchnamesBagpipe
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#(ly:parser-set-note-names parser pitchnames)
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% Bagpipe music is written in something like D major. If we use
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% flattened notes, the flat should be shown on all instances.
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bagpipeKey = {
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\key d \major
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#(set-accidental-style 'forget)
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}
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% Show the key signature e.g. for BMW compatibility.
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showKeySignature = {
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\override Staff.KeySignature #'stencil = #'ly:key-signature-interface::print
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}
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% Show the true key signature (E-flat major). Use together with
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% \transpose f a to print scores for other instruments.
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showTrueKeySignature = {
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\override Staff.KeySignature #'stencil = #'ly:key-signature-interface::print
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\override Stem #'direction = #0
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\override Slur #'direction = #0
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\override Tie #'direction = #0
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}
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% Various tweaks to get good defaults for bagpipe music.
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\layout {
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indent = 0.0
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\context {
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\Score
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\remove "Bar_number_engraver"
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\override Stem #'direction = #down
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\override Slur #'direction = #up
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\override Tie #'direction = #up
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\override KeySignature #'print-function = ##f
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\override VoltaBracketSpanner #'Y-extent = #'(-1 . 0)
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\override VoltaBracket #'height = #2.2
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}
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\context {
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\StaffGroup
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extraNatural = ##f
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\override KeySignature #'stencil = ##f
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}
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\context {
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\Staff
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extraNatural = ##f
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midiInstrument = #"bagpipe"
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\override KeySignature #'stencil = ##f
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}
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}
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% Some common timing tweaks.
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% Sets the autobeamer to span quarter notes only. Use for fast music.
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quarterBeaming = {
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#(override-auto-beam-setting '(end * * * *) 1 4 'Staff)
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#(override-auto-beam-setting '(end * * * *) 1 2 'Staff)
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#(override-auto-beam-setting '(end * * * *) 3 4 'Staff)
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#(override-auto-beam-setting '(end * * * *) 4 4 'Staff)
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#(revert-auto-beam-setting '(end 1 32 2 4 ) 1 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 2 4 ) 3 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 4 4 ) 1 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 4 4 ) 3 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 4 4 ) 5 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 4 4 ) 7 8 'Staff)
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}
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halfBeaming = {
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#(override-auto-beam-setting '(end * * 2 2) 1 2 'Staff)
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#(override-auto-beam-setting '(end * * 2 2) 2 2 'Staff)
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}
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% Reels are in allabreve time with half note beaming.
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reelTime = {
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\time 2/2
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\halfBeaming
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}
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% 4/4 marches are written with numerical time signature and with quarter beaming.
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marchTime = {
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\time 4/4
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\numericTimeSignature
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\quarterBeaming
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}
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% Single grace notes
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grG = { \grace { \small G32 } }
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gra = { \grace { \small a32 } }
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grb = { \grace { \small b32 } }
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grc = { \grace { \small c32 } }
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grd = { \grace { \small d32 } }
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gre = { \grace { \small e32 } }
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grf = { \grace { \small f32 } }
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grg = { \grace { \small g32 } }
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grA = { \grace { \small A32 } }
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% Doublings
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dblG = { \grace { \small g32[ G d] } }
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dbla = { \grace { \small g32[ a d] } }
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dblb = { \grace { \small g32[ b d] } }
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dblc = { \grace { \small g32[ c d] } }
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dbld = { \grace { \small g32[ d e] } }
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dble = { \grace { \small g32[ e f] } }
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dblf = { \grace { \small g32[ f g] } }
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% These are the same as the half doublings.
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dblg = { \grace { \small g32[ f] } }
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dblA = { \grace { \small A32[ g] } }
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% Half doublings
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hdblG = { \grace { \small G32[ d] } }
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hdbla = { \grace { \small a32[ d] } }
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hdblb = { \grace { \small b32[ d] } }
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hdblc = { \grace { \small c32[ d] } }
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hdbld = { \grace { \small d32[ e] } }
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hdble = { \grace { \small e32[ f] } }
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hdblf = { \grace { \small f32[ g] } }
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hdblg = { \grace { \small g32[ f] } }
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hdblA = { \grace { \small A32[ g] } }
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% Thumb doublings
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tdblG = { \grace { \small A32[ G d] } }
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tdbla = { \grace { \small A32[ a d] } }
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tdblb = { \grace { \small A32[ b d] } }
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tdblc = { \grace { \small A32[ c d] } }
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tdbld = { \grace { \small A32[ d e] } }
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tdble = { \grace { \small A32[ e f] } }
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tdblf = { \grace { \small A32[ f g] } }
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tdblg = { \grace { \small A32[ g f] } }
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% Shakes
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% A few of these can't really be played and are here only for consistency.
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shakea = { \grace { \small g32[ a e a G] } }
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shakeb = { \grace { \small g32[ b e b G] } }
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shakec = { \grace { \small g32[ c e c G] } }
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shaked = { \grace { \small g32[ d e d G] } }
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shakee = { \grace { \small g32[ e f e a] } }
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shakef = { \grace { \small g32[ f g f a] } }
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shakeg = { \grace { \small A32[ f g a] } }
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shakeA = { \grace { \small A32[ g A a] } }
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% Half shakes
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hshakea = { \grace { \small a32[ d a G] } }
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hshakeb = { \grace { \small b32[ d b G] } }
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hshakec = { \grace { \small c32[ d c G] } }
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hshaked = { \grace { \small d32[ e d G] } }
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hshakee = { \grace { \small e32[ f e a] } }
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hshakef = { \grace { \small f32[ g f a] } }
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hshakeg = { \grace { \small g32[ f g a] } }
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hshakeA = { \grace { \small A32[ g A a] } }
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% Thumb shakes
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tshakea = { \grace { \small A32[ a d a G] } }
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tshakeb = { \grace { \small A32[ b d b G] } }
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tshakec = { \grace { \small A32[ c d c G] } }
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tshaked = { \grace { \small A32[ d e d G] } }
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tshakee = { \grace { \small A32[ e f e a] } }
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tshakef = { \grace { \small A32[ f g f a] } }
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tshakeg = { \grace { \small A32[ f g a] } }
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tshakeA = { \grace { \small A32[ g A a] } }
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% Slurs
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% A few of these can't really be played and are here only for consistency.
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slura = { \grace { \small g32[ a G] } }
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slurb = { \grace { \small g32[ b G] } }
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slurc = { \grace { \small g32[ c G] } }
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slurd = { \grace { \small g32[ d G] } }
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slure = { \grace { \small g32[ e a] } }
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slurf = { \grace { \small g32[ f a] } }
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slurg = { \grace { \small A32[ f a] } }
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slurA = { \grace { \small f32[ a] } }
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% Half slurs
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hslura = { \grace { \small a32[ G] } }
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hslurb = { \grace { \small b32[ G] } }
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hslurc = { \grace { \small c32[ G] } }
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hslurd = { \grace { \small d32[ G] } }
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hslure = { \grace { \small e32[ a] } }
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hslurf = { \grace { \small f32[ a] } }
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hslurg = { \grace { \small g32[ a] } }
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hslurA = { \grace { \small A32[ a] } }
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% Thumb slurs
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tslura = { \grace { \small A32[ a G] } }
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tslurb = { \grace { \small A32[ b G] } }
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tslurc = { \grace { \small A32[ c G] } }
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tslurd = { \grace { \small A32[ d a] } }
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tslure = { \grace { \small A32[ e a] } }
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tslurf = { \grace { \small A32[ f a] } }
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tslurg = { \grace { \small A32[ f a] } }
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tslurA = { \grace { \small f32[ a] } }
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% Catches
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catcha = { \grace { \small a32[ G d G] } }
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catchb = { \grace { \small b32[ G d G] } }
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catchc = { \grace { \small c32[ G d G] } }
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catchd = { \grace { \small d32[ G b G] } }
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catche = { \grace { \small e32[ G d G] } }
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% G-grace catches
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gcatcha = { \grace { \small g32[ a G d G] } }
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gcatchb = { \grace { \small g32[ b G d G] } }
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gcatchc = { \grace { \small g32[ c G d G] } }
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gcatchd = { \grace { \small g32[ d G b G] } }
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gcatche = { \grace { \small g32[ e G d G] } }
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% Thumb catches
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tcatcha = { \grace { \small A32[ a G d G] } }
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tcatchb = { \grace { \small A32[ b G d G] } }
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tcatchc = { \grace { \small A32[ c G d G] } }
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tcatchd = { \grace { \small A32[ d G b G] } }
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tcatche = { \grace { \small A32[ e G d G] } }
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% Triple strikes (BMW has them all, but I've never seen any but the A one used, so ...)
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tripleA = { \grace { \small A32[ g A g A g] } }
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% Throws
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thrwd = { \grace { \small G32[ d c] } }
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Gthrwd = { \grace { \small d32[ c] } }
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gripthrwd = { \grace { \small G32[ d G c] } }
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thrwe = { \grace { \small e32[ a f a] } }
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thrwf = { \grace { \small f32[ e g e] } }
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% Birls
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birl = { \grace { \small a32[ G a G] } }
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wbirl = { \grace { \small G32[ a G] } }
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gbirl = { \grace { \small g32[ a G a G] } }
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dbirl = { \grace { \small d32[ a G a G] } }
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% Grips
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grip = { \grace { \small G32[ d G] } }
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dgrip = { \grace { \small G32[ b G] } }
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egrip = { \grace { \small G32[ e G] } }
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% Taorluaths
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taor = { \grace { \small G32[ d G e] } }
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dtaor = { \grace { \small G32[ b G e] } }
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Gtaor = { \grace { \small d32[ G e] } }
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taoramb = { \grace { \small G32[ d G b e] } }
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taoramc = { \grace { \small G32[ d G c e] } }
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taoramd = { \grace { \small G32[ d G c d e] } }
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% Crunluaths
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crun = { \grace { \small G32[ d G e a f a ] } }
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dcrun = { \grace { \small G32[ b G e a f a ] } }
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Gcrun = { \grace { \small d32[ G e G f a ] } }
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crunamb = { \grace { \small G32[ d G b e b f b ] } }
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crunamc = { \grace { \small G32[ d G c e c f c ] } }
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crunamd = { \grace { \small G32[ d G c d e d f d ] } }
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crunambfosg = { \grace { \small e32[ b f b ] } }
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crunamcfosg = { \grace { \small e32[ c f c ] } }
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crunamdfosg = { \grace { \small e32[ d f d ] } }
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% Special piobaireachd notations
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grGcad = { \grace { \small G16 } }
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gracad = { \grace { \small a16 } }
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cad = { \grace { \small g32[ e8 d32] } }
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hcad = { \grace { \small g32[ e8] } }
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tcad = { \grace { \small e8[ d32] } }
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thcad = { \grace { \small e8 } }
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% This is the same as thrwe
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dre = { \grace { \small e32[ a f a] } }
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% This is the same as thrwf
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dare = { \grace { \small f32[ e g e] } }
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bari = { \grace { \small e32[ G f G] } }
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dari = { \grace { \small f32[ e g e f e] } }
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pthrwd = { \grace { \small G32[ d32 c] } }
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darodo = { \grace { \small G32[ d G c G] } }
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Gdarodo = { \grace { \small d32[ G c G] } }
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pdarodo = { \grace { \small G16[ d32 G c G16] } }
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pGdarodo = { \grace { \small d32[ G c G16] } }
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% Weird stuff from Joseph MacDonald’s book
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fifteenthcutting = { \grace { \small G32[ d G e a f a e a d] } }
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fifteenthcuttingG = { \grace { \small G32[ d G e G f G e G d] } }
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Gfifteenthcutting = { \grace { \small d32[ G e a f a e a d] } }
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GfifteenthcuttingG = { \grace { \small d32[ G e G f G e G d] } }
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seventeenthcutting = { \grace { \small G32[ d G e a f a e a d a c] } }
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seventeenthcuttingG = { \grace { \small G32[ d G e G f G e G d G c] } }
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Gseventeenthcutting = { \grace { \small d32[ G e a f a e a d a c] } }
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GseventeenthcuttingG = { \grace { \small d32[ G e G f G e G d G c] } }
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barluadh = { \grace { \small G32[ d G e a f a e a d a c a b a e a f a] } }
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barluadhG = { \grace { \small G32[ d G e G f G e G d G c G b G e G f G] } }
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Gbarluadh = { \grace { \small d32[ G e a f a e a d a c a b a e a f a] } }
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GbarluadhG = { \grace { \small d32[ G e G f G e G d G c G b G e G f G] } }
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% Non-gracenote piobaireachd markup.
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trebling = \markup {
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\override #'(baseline-skip . 0.3)
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\column {
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\musicglyph #"scripts.tenuto"
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\musicglyph #"scripts.tenuto"
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\musicglyph #"scripts.tenuto"
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}
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}
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% Abbreviated notation common in piobaireachd scores.
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% TODO: Make sure these are put on a fixed Y-position.
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txtaor = \markup { "T" }
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txcrun = \markup { "C" }
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txtaorcrun = \markup {
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\override #'(baseline-skip . 1.8)
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\column { "T" "C" }
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}
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txtaoram = \markup { "T’’" }
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txcrunam = \markup { "C’’" }
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txtaorcrunam = \markup {
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\override #'(baseline-skip . 1.8)
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\column { "T’’" "C’’" }
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}
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