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Updated file structure for Flett of Flotta, Crusader's March and Scotland the Brave (high)

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Introduced tags into standards to remove upbeats / endrest
This commit is contained in:
Eric Teunis de Boone 2018-03-13 11:55:02 +01:00
parent 0533d5257e
commit 3a909c2250
12 changed files with 126 additions and 145 deletions
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12
4-4_marches/flett_from_flotta/full.ly
View file

@ -20,12 +20,14 @@
{
\repeat volta 2 {
\part \line \break
\line \break
\line
}
\break
\repeat volta 2 {
\part \line \break
\line \break
\part \line
\line
}
\break
}%Format
{
\pipesA s4
@ -38,9 +40,9 @@
\sideglobal
\set PipeBandDrumStaff.instrumentName = \markup \column {\instrumentSide}
\set PipeBandDrumStaff.shortInstrumentName = \markup{\shortInstrumentSide}
s8 \snareA s8
r8 \snareA s4
s4 \snareB s8
\snareB s4
}
% \new PipeBandDrumStaff = "bass" {
% \bassglobal

6
4-4_marches/flett_from_flotta/notes.side.ily
View file

@ -1,7 +1,7 @@
% 4/4 Flett from Flotta
% Snare
\version "2.18.2"
composerSide = "v1.3"
composerSide = "v1.4"
sideglobal = {
\eighthBeaming
}
@ -24,10 +24,10 @@ snareA = \drummode {
\flam d8 \tuplet 3/2 { g16 d g } d8:32(-> g8:32)(-> \tuplet 3/2 { d16) g d } \flamg g8 \flamd d8 d8:32( |
g4)-> d4:32( d4)
}
r8
}
% Part 2
snareB = \drummode {
\flam d8 \flam g8 |
d4:32( d8) d32 g d g d32 g d g d8 \flamg g8
\tutti {
d8:32( |
@ -43,5 +43,5 @@ snareB = \drummode {
g8) \tuplet 3/2 { d16 g d-> } g16. g32 \flam d8 \flamg g4 d8:32( g8) |
\flamd d8 \tuplet 3/2 { g16 d g } d8:32(-> g8:32)(-> \tuplet 3/2 { d16) g d } \flamg g8 \flamd d8 d8:32( |
g4)-> d4:32( d4)
} r8
}
}

8
4-4_marches/flett_from_flotta/side.ly
View file

@ -10,12 +10,12 @@
\global
<<
{
\repeat volta 2 { \partial 8 s8 \line \break \line }
\repeat volta 2 { \line \break \line }
\repeat volta 2 { \part \line \break \line }
\break
\repeat volta 2 { \part \line \break \line }
}
{
\snareA s8
r8 \snareA s4
\snareB s8
}

10
4-4_marches/scotland_the_brave/high-side.ly
View file

@ -5,14 +5,20 @@
\include "./config.ily"
\include "./notes.side.ily"
markTextEol = #(define-music-function (parser location text) (string?) #{
\once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark \markup $text
#})
\score {
\new PipeBandDrumStaff {
\global
\sideglobal
<<
{
\repeat volta 2 {\part \line \break }
\part \line \bar "||"
\repeat volta 2 {\part \line \markTextEol "Fine" \break }
\part \line \markTextEol "D.C. al Fine" \bar "||"
}
{
\snareA s8

10
4-4_marches/scotland_the_brave/side.ly
View file

@ -5,14 +5,20 @@
\include "./config.ily"
\include "./notes.side.ily"
markTextEol = #(define-music-function (parser location text) (string?) #{
\once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark \markup $text
#})
\score {
\new PipeBandDrumStaff {
\global
\sideglobal
<<
{
\repeat volta 2 {\part \line \break }
\part \line \bar "||"
\repeat volta 2 {\part \line \markTextEol "Fine" \break }
\part \line \markTextEol "D.C. al Fine" \bar "||"
}
{
\snareA s8

6
4-4_marches/the_crusaders_march/drums.ly
View file

@ -26,11 +26,11 @@
\bar "|."
}%End of Format
\new DrumVoice = "side" {
s8 \snareAA r8
s8 \snareAA
\snareAB
\snareBA r8
\snareBB r8 s8
\snareBA
\snareBB s8
}%End of side
>>
}

6
4-4_marches/the_crusaders_march/full.ly
View file

@ -60,11 +60,11 @@
\set PipeBandDrumStaff.instrumentName = \markup \column {\instrumentSide}
\set PipeBandDrumStaff.shortInstrumentName = \markup{\shortInstrumentSide}
s8 \snareAA r8
s8 \snareAA
\snareAB
\snareBA r8
\snareBB r8 s8
\snareBA
\removeWithTag #'endrest \snareBB s4
}
\new PipeBandDrumStaff = "tenor" {
\tenorglobal

114
4-4_marches/the_crusaders_march/notes.side.ily
View file

@ -1,106 +1,56 @@
% 4/4 The Crusaders March
% Side
\version "2.18.2"
\include "../../standards/24_44_standards.side.ily"
composerSide = "E.T. de Boone, 2016"
sideglobal = {
\eighthBeaming
}
% Music
snareAA = \drummode {
d16. g32 |
\flam d8 d16. g32
\flam d8 d16 g16
r16. d32 g16. g32
\flam d8
\tutti {
d8:32( |
\tuplet 3/2 { g16) d g } \flamd d16. g32
\tuplet 3/2 { d16 g d } \flamg g16. g32
d16. g32 \tuplet 3/2 { d16 g d }
\flamg g8
}
d16. g32 |
\flam d8 d16. g32
\flam d8 d16 g16
r16. d32 g16. g32
\flam d8 g |
\tutti {
\flam d4 d4:32( d4)
}
}
snareAB = \drummode {
\tutti {
d16. g32 |
\flam d8 d16. g32
\flam d8 d16 g16
r16. d32 g16. g32
\flam d8
d8:32( |
\tuplet 3/2 { g16) d g } \flamd d16. g32
\tuplet 3/2 { d16 g d } \flamg g16. g32
d16. g32 \tuplet 3/2 { d16 g d }
\flamg g8
d16. g32 |
pcrusadersI = \drummode {
\tag #'upbeat { d16. g32 } |
d8:32( \triplet { g16) d g }
d8:32( g8:32)(->
\triplet { d16) g d-> } g16. g32
d8:32( \triplet { g16) d g } |
}
\flam g4 d4:32( d4)
pcrusadersII = \drummode {
\tag #'upbeat { d16. g32 } |
\flam d4
\flam g8. g16
d8:32([ g8)]
\flam d8
}
snareAA = \drummode {
\peight
\midone
\pthree
\endone
}
snareAB = \drummode {
\tutti {
\peight
\removeWithTag #'tutti \midone
\pcrusadersI
\removeWithTag #'upbeat \removeWithTag #'endrest \endone
}
\flam d16 d \flam g g
}
snareBA = \drummode {
\flam d4
\flam g8. g16
d8:32( g8)
\flam d8
\tutti {
d8:32( |
\tuplet 3/2 { g16) d g } \flamd d16. g32
\tuplet 3/2 { d16 g d } \flamg g16. g32
d16. g32 \tuplet 3/2 { d16 g d }
\flamg g8
}
d16. g32 |
\flamd d16. g32 d16. d32
\flamg g16. d32 g16. g32
d16. \flamg g32 d16. d32
\flamg g16. d32 \flam g8 |
\tutti {
\flam d4 d4:32( d4)
}
\removeWithTag #'upbeat \pcrusadersII
\midone
\pthree
\endone
}
snareBB = \drummode {
\tutti {
d16. g32 |
\flam d4
\flam g8. g16
d8:32( g8)
\flam d8
d8:32( |
\tuplet 3/2 { g16) d g } \flamd d16. g32
\tuplet 3/2 { d16 g d } \flamg g16. g32
d16. g32 \tuplet 3/2 { d16 g d }
\flamg g8
d16. g32 |
d8:32( \triplet { g16) d g }
d8:32( g8:32)(->
\triplet { d16) g d-> } g16. g32
d8:32( \triplet { g16) d g } |
\flam g4 d4:32( d4)
\pcrusadersII
\removeWithTag #'tutti \midone
\pcrusadersII
\removeWithTag #'upbeat \endone
}
}

12
4-4_marches/the_crusaders_march/side.ly
View file

@ -11,18 +11,18 @@
\sideglobal
<<
{
\part \line
\line \bar "|."
\part \line \break
\line \bar "||"
\break
\line
\line \break
\line \bar "|."
}%Format
{
s8 \snareAA r8
s8 \snareAA
\snareAB
\snareBA r8
\snareBB r8 s8
\snareBA
\snareBB s8
}
>>
}

28
standards/24_44_standards.side.ily
View file

@ -35,10 +35,10 @@ midfour = \drummode {
% Endings
endone = \drummode {
\tutti {
g8 |
\tag #'upbeat g8 |
\flamd d4 d4:32(
d4)
} r8
} \tag #'endrest r8
}
endtwo = \drummode {
@ -53,7 +53,7 @@ endthree = \drummode {
d8:32( |
d4) d4:32(
d4)
} r8
} \tag #'endrest r8
}
endfour = \drummode {
\tutti {
@ -65,54 +65,54 @@ endfour = \drummode {
% Several Parts
pempty = \drummode {
s8 |
\tag #'upbeat s8 |
s2
s4 s8
}
pone = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
\flamd d8 \tuplet 3/2 { d16 g d } \flamg g8 d8:32(
g16.) d32-> g16. g32 \flamd d8
}
ptwo = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
d4:32( d8) \flamg g8
d16. g32-> d16. d32 \flamg g8
}
pthree = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
\flamd d16. g32 d16. d32 \flamg g16. d32 g16. g32
d16. \flamg g32 d16. d32 \flamg g8
}
pfour = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
\flamd d8. g16 \flamd d8 d8:32(
g16.) d32-> g16. g32 \flamd d8
}
pfive = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
d4:32( d8) d8:32(
d8:32)( d16.) g32 \flamd d8
}
psix = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
\tuplet 3/2 { d16 g d } \flamg g8 \tuplet 3/2 { d16 g d } g8
d16. g32-> d16. d32 \flamd d8
}
pseven = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
\flam d16. g32 d16. \flam g32 \parenthesize \flam d16. g32 d16. \flam g32
d16. \flam g32 d16. \parenthesize \flam g32 \flam d8
}
peight = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
\flam d8 d16. g32 \flam d8 d16 g16
r16 d16 g16. g32 \flam d8
r16. d32 g16. g32 \flam d8
}
pnine = \drummode {
d16. g32 |
\tag #'upbeat { d16. g32 } |
d16.:64~ d32 g16. d32:128~
d16. g32 d16.:64~ d32
g16. d32:128~ d16. g32

26
standards/68_standards.side.ily
View file

@ -4,37 +4,41 @@
% Midpart
midone = \drummode {
\tutti {
\flam d8. g16 d8 d4.:32( |
\flam d8.\v g16 d8 d4.:32( |
d8.) g16 d8 \flamd d4
}
}
midtwo = \drummode {%Stonehaven PnD
\tutti {
\flam d8. g16 \flam d8 d16 g d g-> d g |
\flam d8.\v g16 \flam d8 d16 g d g-> d g |
d8. g16 d8 \flam d4
}
}
% Endings
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
endone = \drummode {
\tutti {
\flam d8. d16:64( d8) d4.:32( |
\flam d8.\v d16:64( d8) d4.:32( |
d8.) g16 d8 \flamd d4
}
}
endtwo = \drummode {
\tutti {
\flam d8. g16 d8 d16 g d g d8 |
\flam d8.\v g16 d8 d16 g d g d8 |
d4.:32( d4)
}
}
endthree = \drummode {%Stonehaven PnD
\tutti {
\flam d8. g16 d32 g d g d8. g16 \flam d8 |
\flam d8.\v g16 d32 g d g d8. g16 \flam d8 |
d4.:32( d4)
}
}
% Parts
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
pempty = \drummode {
s8 |
s1. |
@ -111,3 +115,15 @@ peleven = \drummode {
g8.) g16 \flam d8 \flam g8. g16 d32\< g d g <>\!|
d8. g16 d8 \flam g8. d16 g8 |
}
ptwelve = \drummode { %C. Ooms
d8 |
d4:32(-> g8:32)(-> g8.:32 d16:32)(-> \< g8:32 |
d8.)-\v \! g16 d8 \flam d8. d16 \flam g8 |
}
pthirteen = \drummode { %C. Ooms
d8:32( \> |
g8.) \! d16 \flam g8-> d8. g16 \flam d8-> |
g8. \flam g16 d8 \flam d8. d16 \flam g8-> |
}

3
standards/68_standards_extra.side.ly
View file

@ -10,7 +10,8 @@
\drummode {
\repeat volta 2 { \partial 8 \pseven \midone \peight \endone} \break
\repeat volta 2 { \partial 8 \pnine \midtwo \pten \endtwo} \break
\repeat volta 2 { \partial 8 \pten \midone \pempty \endthree} \break
\repeat volta 2 { \partial 8 \peleven \midone \ptwelve \endthree} \break
\repeat volta 2 { \partial 8 \pthirteen \midone \pempty \endthree} \break
}% End of drums %
}
\header{