Initial add of all bagpipe music files.
This commit is contained in:
Sven Axelsson
commit
607fc7727c
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*.ps
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*.pdf
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*.png
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*.log
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[MSR (Giftskåpsetet)]
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1=2-4_marches/lord_alexander_kennedy
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2=strathspeys/cameronian_rant
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3=reels/sheepwife
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[Hornpipe/Jig]
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1=hornpipes/john_mckenzies_fancy
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2=jigs/eileen_macdonald
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[2/4 Marches for practise]
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1=2-4_marches/donald_cameron
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2=2-4_marches/lord_alexander_kennedy
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3=2-4_marches/duke_of_roxburghs_farewell_to_blackmount
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4=2-4_marches/abercairney_highlanders
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[Strathspeys for practise]
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1=strathspeys/cameronian_rant
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2=strathspeys/maggie_cameron
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3=strathspeys/susan_macleod
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[Reels for practise]
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1=reels/sheepwife
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2=reels/mrs_macpherson_of_inveran
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3=reels/little_cascade
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4=reels/lexy_macaskill
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[Hornpipes for practise]
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1=hornpipes/jimmys_gift
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2=hornpipes/john_mckenzies_fancy
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3=hornpipes/train_journey_north
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4=hornpipes/duncan_johnstone
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[Jigs for practise]
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1=jigs/braes_of_mellinish
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2=jigs/jig_of_slurs
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3=jigs/eileen_macdonald
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4=jigs/alan_macpherson_of_mosspark
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5=jigs/donald_willie_and_his_dog
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[2/4 Marches]
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1=2-4_marches/corriechoillie
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2=2-4_marches/teribus
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[3/4 Marches]
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1=3-4_marches/green_hills_of_tyrol
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2=3-4_marches/when_the_battle_is_over
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[4/4 Marches Set 1]
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1=4-4_marches/scotland_the_brave
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2=4-4_marches/badge_of_scotland
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3=4-4_marches/rowan_tree
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[4/4 Marches Set 2]
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1=4-4_marches/silver_wings
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2=4-4_marches/lord_lovats_lament
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3=4-4_marches/flett_from_flotta
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4=4-4_marches/braes_of_bonhill
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[4/4 Marches Set 3]
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1=4-4_marches/boys_brigade_centenary_march
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2=4-4_marches/cabar_feidh
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[6/8 Marches Set 1]
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1=6-8_marches/atholl_highlanders
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2=6-8_marches/cock_of_the_north
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[6/8 Marches Set 2]
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1=6-8_marches/ballochyle
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2=6-8_marches/duncan_mcgillivray
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[9/8 Marches]
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1=9-8_marches/battle_of_the_somme
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2=9-8_marches/grinder
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3=9-8_marches/heights_of_dargai
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[Selection 1]
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1=hornpipes/calum_campbells_caprice
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2=others/er_du_jol_mon
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3=strathspeys/mac_an_irish
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4=reels/sound_of_sleat
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5=piobaireachd/glengarrys_lament
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6=jigs/donald_willie_and_his_dog
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[Selection 2]
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1=hornpipes/blair_highlanders
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2=airs/el_alamein
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3=strathspeys/macphedrans_strathspey
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4=reels/airlies_big_day
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5=reels/wretched_man
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6=reels/famous_bridge
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7=piobaireachd/clan_campbells_gathering
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8=hornpipes/donald_macleod
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9=jigs/rocking_the_baby
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[M/S/R Set 1]
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1=2-4_marches/conundrum
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2=strathspeys/monymusk
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3=reels/captain_lachlan_macphail_of_tiree
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[M/S/R Set 2]
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1=2-4_marches/mrs_john_maccoll
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2=strathspeys/shepherds_crook
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3=reels/major_manson
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[M/S/R Set 3]
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1=2-4_marches/highland_wedding
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2=strathspeys/susan_macleod
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3=reels/sheepwife
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[Slow Air & Jigs]
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1=airs/leaving_lismore
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2=jigs/glasgow_police_pipers
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3=jigs/paddys_leather_breeches
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[Hornpipe & Jigs]
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1=hornpipes/uphold_the_right
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2=jigs/archie_beag
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3=jigs/banjo_breakdown
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[Murray's Fancy]
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1=suites/murrays_fancy_6_hornpipe
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[Amazing Grace]
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1=airs/amazing_grace
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[Highland Cathedral]
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1=airs/highland_cathedral
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% $Id: /Music/Bagpipe/_sets/2-4_marches.ly 174 2005-09-10T23:33:14.464875Z sven $
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\header {
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title = "2/4 Marches"
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}
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\include "2-4_marches/corriechoillie.ly"
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\include "2-4_marches/teribus.ly"
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% $Id: /Music/Bagpipe/_sets/3-4_marches.ly 174 2005-09-10T23:33:14.464875Z sven $
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\header {
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title = "3/4 Marches"
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}
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\include "3-4_marches/green_hills_of_tyrol.ly"
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\include "3-4_marches/when_the_battle_is_over.ly"
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% $Id: /Music/Bagpipe/_sets/4-4_marches_1.ly 189 2005-12-18T17:12:37.812500Z sven $
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\header {
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title = "4/4 Marches Set 1"
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}
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\include "4-4_marches/scotland_the_brave.ly"
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\include "4-4_marches/badge_of_scotland.ly"
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#(break-before-next-score)
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\include "4-4_marches/rowan_tree.ly"
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% $Id: /Music/Bagpipe/_sets/4-4_marches_2.ly 189 2005-12-18T17:12:37.812500Z sven $
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\header {
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title = "4/4 Marches Set 2"
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}
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\include "4-4_marches/silver_wings.ly"
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\include "4-4_marches/lord_lovats_lament.ly"
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#(break-before-next-score)
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\include "4-4_marches/flett_from_flotta.ly"
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\include "4-4_marches/braes_of_bonhill.ly"
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% $Id: /Music/Bagpipe/_sets/4-4_marches_3.ly 189 2005-12-18T17:12:37.812500Z sven $
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\header {
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title = "4/4 Marches Set 3"
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}
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\include "4-4_marches/boys_brigade_centenary_march.ly"
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#(break-before-next-score)
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\include "4-4_marches/cabar_feidh.ly"
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% $Id: /Music/Bagpipe/_sets/6-8_marches_1.ly 189 2005-12-18T17:12:37.812500Z sven $
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\header {
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title = "6/8 Marches Set 1"
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}
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\include "6-8_marches/atholl_highlanders.ly"
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#(break-before-next-score)
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\include "6-8_marches/cock_of_the_north.ly"
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% $Id: /Music/Bagpipe/_sets/6-8_marches_2.ly 189 2005-12-18T17:12:37.812500Z sven $
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\header {
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title = "6/8 Marches Set 2"
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}
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\include "6-8_marches/ballochyle.ly"
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#(break-before-next-score)
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\include "6-8_marches/duncan_mcgillivray.ly"
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% $Id: /Music/Bagpipe/_sets/9-8_marches.ly 214 2006-04-16T22:10:50.062500Z sven $
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\header {
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title = "9/8 Marches"
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}
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\include "9-8_marches/battle_of_the_somme.ly"
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\include "9-8_marches/grinder.ly"
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\include "9-8_marches/heights_of_dargai.ly"
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\paper {
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between-system-space = 15\mm
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}
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% $Id: /Music/Bagpipe/_sets/6-8_marches_1.ly 189 2005-12-18T17:12:37.812500Z sven $
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\header {
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title = "2008 Medley for Strasbourg"
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}
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\markuplines{\wordwrap{Four bars jig intro, then first four bars extending the
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last note of bar 2 and 4 by four extra beats, then start again from the top.}}
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\include "jigs/archie_beag.ly"
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\include "airs/mist_covered_mountains.ly"
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#(break-before-next-score)
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\include "strathspeys/unknown.ly"
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\include "strathspeys/mac_an_irish.ly"
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\include "scandinavian/harp_schottis.ly"
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#(break-before-next-score)
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\include "reels/airlies_big_day.ly"
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\include "reels/foot_it_neatly.ly"
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\include "piobaireachd/lament_for_the_harp_tree.ly"
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\markuplines{\wordwrap{Hold the cluster for 10 seconds or so, start with cuttings
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from the top, one set of unison cuttings before the tune starts.}}
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#(break-before-next-score)
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\include "jigs/braes_of_mellinish.ly"
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\markuplines{\wordwrap{Cluster like before, one single beat in jig tempo then
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break immediately into hornpipe.}}
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#(break-before-next-score)
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\include "suites/murrays_fancy_6_hornpipe.ly"
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% $Id: /Music/Bagpipe/_sets/quintet_2006_open_grade.ly 207 2006-03-05T23:12:54.793764Z sven $
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\header {
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title = "Open Grade Quintet 2006"
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dedication = "Mats, Sven, Daniel, Eugen, Marie"
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}
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\include "reels/me_clootch_is_awee.ly"
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\include "piobaireachd/his_fathers_lament_for_donald_mackenzie.ly"
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#(break-before-next-score)
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\include "strathspeys/unknown.ly"
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\include "reels/macleods_reel.ly"
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#(break-before-next-score)
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\include "reels/joes_rant.ly"
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#(break-before-next-score)
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\include "reels/sheepwife.ly"
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#(break-before-next-score)
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\include "jigs/fiddlers_rally_mpdset.ly"
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%{
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Bagpipe music settings for Lilypond.
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This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
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Substantial changes and additions made by
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Sven Axelsson, the Murray Pipes & Drums of Gothenburg
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(http://www.murrays.nu)
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$Id: /Music/Bagpipe/bagpipe.ly 227 2007-10-16T13:16:11.328125Z sven $
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%}
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\version "2.11.0"
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% Notes of the scale of the Great Highland Bagpipe. Extra high notes for bombarde.
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% Flat notes used mainly in some modern music.
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pitchnamesBagpipe = #`(
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(G . ,(ly:make-pitch 0 4 NATURAL))
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(a . ,(ly:make-pitch 0 5 NATURAL))
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(b . ,(ly:make-pitch 0 6 NATURAL))
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(bflat . ,(ly:make-pitch 0 6 FLAT))
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(c . ,(ly:make-pitch 1 0 SHARP))
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(cflat . ,(ly:make-pitch 1 0 FLAT))
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(d . ,(ly:make-pitch 1 1 NATURAL))
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(e . ,(ly:make-pitch 1 2 NATURAL))
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(f . ,(ly:make-pitch 1 3 SHARP))
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(fflat . ,(ly:make-pitch 1 3 FLAT))
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(g . ,(ly:make-pitch 1 4 NATURAL))
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(gflat . ,(ly:make-pitch 1 4 FLAT))
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(A . ,(ly:make-pitch 1 5 NATURAL))
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(B . ,(ly:make-pitch 1 6 NATURAL))
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(C . ,(ly:make-pitch 2 0 SHARP))
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)
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pitchnames = \pitchnamesBagpipe
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#(ly:parser-set-note-names parser pitchnames)
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% Bagpipe music is written in something like D major. If we use
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% flattened notes, the flat should be shown on all instances.
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bagpipeKey = {
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\key d \major
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#(set-accidental-style 'forget)
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}
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% Show the key signature e.g. for BMW compatibility.
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showKeySignature = {
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\override Staff.KeySignature #'stencil = #'ly:key-signature-interface::print
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}
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% Show the true key signature (E-flat major). Use together with
|
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% \transpose f a to print scores for other instruments.
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showTrueKeySignature = {
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\override Staff.KeySignature #'stencil = #'ly:key-signature-interface::print
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\override Stem #'direction = #0
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\override Slur #'direction = #0
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\override Tie #'direction = #0
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}
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% Various tweaks to get good defaults for bagpipe music.
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\layout {
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indent = 0.0
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\context {
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\Score
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\remove "Bar_number_engraver"
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\override Stem #'direction = #down
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\override Slur #'direction = #up
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\override Tie #'direction = #up
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\override KeySignature #'print-function = ##f
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\override VoltaBracket #'Y-offset = #7.4
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\override VoltaBracket #'height = #2.2
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}
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\context {
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\StaffGroup
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extraNatural = ##f
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\override KeySignature #'stencil = ##f
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}
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\context {
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\Staff
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extraNatural = ##f
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midiInstrument = #"bagpipe"
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\override KeySignature #'stencil = ##f
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}
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}
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% Some common timing tweaks.
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% Sets the autobeamer to span quarter notes only. Use for fast music.
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quarterBeaming = {
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#(override-auto-beam-setting '(end * * * *) 1 4 'Staff)
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#(override-auto-beam-setting '(end * * * *) 1 2 'Staff)
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||||
#(override-auto-beam-setting '(end * * * *) 3 4 'Staff)
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#(override-auto-beam-setting '(end * * * *) 4 4 'Staff)
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||||
#(revert-auto-beam-setting '(end 1 32 2 4 ) 1 8 'Staff)
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||||
#(revert-auto-beam-setting '(end 1 32 2 4 ) 3 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 4 4 ) 1 8 'Staff)
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||||
#(revert-auto-beam-setting '(end 1 32 4 4 ) 3 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 4 4 ) 5 8 'Staff)
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#(revert-auto-beam-setting '(end 1 32 4 4 ) 7 8 'Staff)
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||||
}
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halfBeaming = {
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||||
#(override-auto-beam-setting '(end * * 2 2) 1 2 'Staff)
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#(override-auto-beam-setting '(end * * 2 2) 2 2 'Staff)
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}
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% Reels are in allabreve time with half note beaming.
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reelTime = {
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\time 2/2
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\halfBeaming
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}
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% 4/4 marches are written with numerical time signature and with quarter beaming.
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marchTime = {
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\time 4/4
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\numericTimeSignature
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\quarterBeaming
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}
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% Single grace notes
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grG = { \grace { \small G32 } }
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gra = { \grace { \small a32 } }
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grb = { \grace { \small b32 } }
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grc = { \grace { \small c32 } }
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grd = { \grace { \small d32 } }
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||||
gre = { \grace { \small e32 } }
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grf = { \grace { \small f32 } }
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grg = { \grace { \small g32 } }
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||||
grA = { \grace { \small A32 } }
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||||
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% Doublings
|
||||
dblG = { \grace { \small g32[ G d] } }
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dbla = { \grace { \small g32[ a d] } }
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dblb = { \grace { \small g32[ b d] } }
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||||
dblc = { \grace { \small g32[ c d] } }
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||||
dbld = { \grace { \small g32[ d e] } }
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dble = { \grace { \small g32[ e f] } }
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||||
dblf = { \grace { \small g32[ f g] } }
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% These are the same as the half doublings.
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dblg = { \grace { \small g32[ f] } }
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dblA = { \grace { \small A32[ g] } }
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||||
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||||
% Half doublings
|
||||
hdblG = { \grace { \small G32[ d] } }
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||||
hdbla = { \grace { \small a32[ d] } }
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||||
hdblb = { \grace { \small b32[ d] } }
|
||||
hdblc = { \grace { \small c32[ d] } }
|
||||
hdbld = { \grace { \small d32[ e] } }
|
||||
hdble = { \grace { \small e32[ f] } }
|
||||
hdblf = { \grace { \small f32[ g] } }
|
||||
hdblg = { \grace { \small g32[ f] } }
|
||||
hdblA = { \grace { \small A32[ g] } }
|
||||
|
||||
% Thumb doublings
|
||||
tdblG = { \grace { \small A32[ G d] } }
|
||||
tdbla = { \grace { \small A32[ a d] } }
|
||||
tdblb = { \grace { \small A32[ b d] } }
|
||||
tdblc = { \grace { \small A32[ c d] } }
|
||||
tdbld = { \grace { \small A32[ d e] } }
|
||||
tdble = { \grace { \small A32[ e f] } }
|
||||
tdblf = { \grace { \small A32[ f g] } }
|
||||
tdblg = { \grace { \small A32[ g f] } }
|
||||
|
||||
% Shakes
|
||||
% A few of these can't really be played and are here only for consistency.
|
||||
shakea = { \grace { \small g32[ a d a G] } }
|
||||
shakeb = { \grace { \small g32[ b d b G] } }
|
||||
shakec = { \grace { \small g32[ c d c G] } }
|
||||
shaked = { \grace { \small g32[ d e d G] } }
|
||||
shakee = { \grace { \small g32[ e f e a] } }
|
||||
shakef = { \grace { \small g32[ f g f a] } }
|
||||
shakeg = { \grace { \small A32[ f g a] } }
|
||||
shakeA = { \grace { \small A32[ g A a] } }
|
||||
|
||||
% Half shakes
|
||||
hshakea = { \grace { \small a32[ d a G] } }
|
||||
hshakeb = { \grace { \small b32[ d b G] } }
|
||||
hshakec = { \grace { \small c32[ d c G] } }
|
||||
hshaked = { \grace { \small d32[ e d G] } }
|
||||
hshakee = { \grace { \small e32[ f e a] } }
|
||||
hshakef = { \grace { \small f32[ g f a] } }
|
||||
hshakeg = { \grace { \small g32[ f g a] } }
|
||||
hshakeA = { \grace { \small A32[ g A a] } }
|
||||
|
||||
% Thumb shakes
|
||||
tshakea = { \grace { \small A32[ a d a G] } }
|
||||
tshakeb = { \grace { \small A32[ b d b G] } }
|
||||
tshakec = { \grace { \small A32[ c d c G] } }
|
||||
tshaked = { \grace { \small A32[ d e d G] } }
|
||||
tshakee = { \grace { \small A32[ e f e a] } }
|
||||
tshakef = { \grace { \small A32[ f g f a] } }
|
||||
tshakeg = { \grace { \small A32[ f g a] } }
|
||||
tshakeA = { \grace { \small A32[ g A a] } }
|
||||
|
||||
% Slurs
|
||||
% A few of these can't really be played and are here only for consistency.
|
||||
slura = { \grace { \small g32[ a G] } }
|
||||
slurb = { \grace { \small g32[ b G] } }
|
||||
slurc = { \grace { \small g32[ c G] } }
|
||||
slurd = { \grace { \small g32[ d G] } }
|
||||
slure = { \grace { \small g32[ e a] } }
|
||||
slurf = { \grace { \small g32[ f a] } }
|
||||
slurg = { \grace { \small A32[ f a] } }
|
||||
slurA = { \grace { \small f32[ a] } }
|
||||
|
||||
% Half slurs
|
||||
hslura = { \grace { \small a32[ G] } }
|
||||
hslurb = { \grace { \small b32[ G] } }
|
||||
hslurc = { \grace { \small c32[ G] } }
|
||||
hslurd = { \grace { \small d32[ G] } }
|
||||
hslure = { \grace { \small e32[ a] } }
|
||||
hslurf = { \grace { \small f32[ a] } }
|
||||
hslurg = { \grace { \small g32[ a] } }
|
||||
hslurA = { \grace { \small A32[ a] } }
|
||||
|
||||
% Thumb slurs
|
||||
tslura = { \grace { \small A32[ a G] } }
|
||||
tslurb = { \grace { \small A32[ b G] } }
|
||||
tslurc = { \grace { \small A32[ c G] } }
|
||||
tslurd = { \grace { \small A32[ d a] } }
|
||||
tslure = { \grace { \small A32[ e a] } }
|
||||
tslurf = { \grace { \small A32[ f a] } }
|
||||
tslurg = { \grace { \small A32[ f a] } }
|
||||
tslurA = { \grace { \small f32[ a] } }
|
||||
|
||||
% Catches
|
||||
catcha = { \grace { \small a32[ G d G] } }
|
||||
catchb = { \grace { \small b32[ G d G] } }
|
||||
catchc = { \grace { \small c32[ G d G] } }
|
||||
catchd = { \grace { \small d32[ G b G] } }
|
||||
catche = { \grace { \small e32[ G d G] } }
|
||||
|
||||
% G-grace catches
|
||||
gcatcha = { \grace { \small g32[ a G d G] } }
|
||||
gcatchb = { \grace { \small g32[ b G d G] } }
|
||||
gcatchc = { \grace { \small g32[ c G d G] } }
|
||||
gcatchd = { \grace { \small g32[ d G b G] } }
|
||||
gcatche = { \grace { \small g32[ e G d G] } }
|
||||
|
||||
% Thumb catches
|
||||
tcatcha = { \grace { \small A32[ a G d G] } }
|
||||
tcatchb = { \grace { \small A32[ b G d G] } }
|
||||
tcatchc = { \grace { \small A32[ c G d G] } }
|
||||
tcatchd = { \grace { \small A32[ d G b G] } }
|
||||
tcatche = { \grace { \small A32[ e G d G] } }
|
||||
|
||||
% Triple strikes (BMW has them all, but I've never seen any but the A one used, so ...)
|
||||
tripleA = { \grace { \small A32[ g A g A g] } }
|
||||
|
||||
% Throws
|
||||
thrwd = { \grace { \small G32[ d c] } }
|
||||
Gthrwd = { \grace { \small d32[ c] } }
|
||||
gripthrwd = { \grace { \small G32[ d G c] } }
|
||||
thrwe = { \grace { \small e32[ a f a] } }
|
||||
thrwf = { \grace { \small f32[ e g e] } }
|
||||
|
||||
% Birls
|
||||
birl = { \grace { \small a32[ G a G] } }
|
||||
wbirl = { \grace { \small G32[ a G] } }
|
||||
gbirl = { \grace { \small g32[ a G a G] } }
|
||||
dbirl = { \grace { \small d32[ a G a G] } }
|
||||
|
||||
% Grips
|
||||
grip = { \grace { \small G32[ d G] } }
|
||||
dgrip = { \grace { \small G32[ b G] } }
|
||||
egrip = { \grace { \small G32[ e G] } }
|
||||
|
||||
% Taorluaths
|
||||
taor = { \grace { \small G32[ d G e] } }
|
||||
dtaor = { \grace { \small G32[ b G e] } }
|
||||
Gtaor = { \grace { \small d32[ G e] } }
|
||||
taoramb = { \grace { \small G32[ d G b e] } }
|
||||
taoramc = { \grace { \small G32[ d G c e] } }
|
||||
taoramd = { \grace { \small G32[ d G c d e] } }
|
||||
|
||||
% Crunluaths
|
||||
crun = { \grace { \small G32[ d G e a f a ] } }
|
||||
dcrun = { \grace { \small G32[ b G e a f a ] } }
|
||||
Gcrun = { \grace { \small d32[ G e G f a ] } }
|
||||
crunamb = { \grace { \small G32[ d G b e b f b ] } }
|
||||
crunamc = { \grace { \small G32[ d G c e c f c ] } }
|
||||
crunamd = { \grace { \small G32[ d G c d e d f d ] } }
|
||||
crunambfosg = { \grace { \small e32[ b f b ] } }
|
||||
crunamcfosg = { \grace { \small e32[ c f c ] } }
|
||||
crunamdfosg = { \grace { \small e32[ d f d ] } }
|
||||
|
||||
% Special piobaireachd notations
|
||||
grGcad = { \grace { \small G16 } }
|
||||
gracad = { \grace { \small a16 } }
|
||||
cad = { \grace { \small g32[ e8 d32] } }
|
||||
hcad = { \grace { \small g32[ e8] } }
|
||||
tcad = { \grace { \small e8[ d32] } }
|
||||
thcad = { \grace { \small e8 } }
|
||||
% This is the same as thrwe
|
||||
dre = { \grace { \small e32[ a f a] } }
|
||||
% This is the same as thrwf
|
||||
dare = { \grace { \small f32[ e g e] } }
|
||||
bari = { \grace { \small e32[ G f G] } }
|
||||
dari = { \grace { \small f32[ e g e f e] } }
|
||||
pthrwd = { \grace { \small G32[ d32 c] } }
|
||||
darodo = { \grace { \small G32[ d G c G] } }
|
||||
Gdarodo = { \grace { \small d32[ G c G] } }
|
||||
pdarodo = { \grace { \small G16[ d32 G c G16] } }
|
||||
pGdarodo = { \grace { \small d32[ G c G16] } }
|
||||
% Weird stuff from Joseph MacDonald’s book
|
||||
fifteenthcutting = { \grace { \small G32[ d G e a f a e a d] } }
|
||||
fifteenthcuttingG = { \grace { \small G32[ d G e G f G e G d] } }
|
||||
Gfifteenthcutting = { \grace { \small d32[ G e a f a e a d] } }
|
||||
GfifteenthcuttingG = { \grace { \small d32[ G e G f G e G d] } }
|
||||
seventeenthcutting = { \grace { \small G32[ d G e a f a e a d a c] } }
|
||||
seventeenthcuttingG = { \grace { \small G32[ d G e G f G e G d G c] } }
|
||||
Gseventeenthcutting = { \grace { \small d32[ G e a f a e a d a c] } }
|
||||
GseventeenthcuttingG = { \grace { \small d32[ G e G f G e G d G c] } }
|
||||
barluadh = { \grace { \small G32[ d G e a f a e a d a c a b a e a f a] } }
|
||||
barluadhG = { \grace { \small G32[ d G e G f G e G d G c G b G e G f G] } }
|
||||
Gbarluadh = { \grace { \small d32[ G e a f a e a d a c a b a e a f a] } }
|
||||
GbarluadhG = { \grace { \small d32[ G e G f G e G d G c G b G e G f G] } }
|
||||
% Non-gracenote piobaireachd markup.
|
||||
trebling = \markup {
|
||||
\override #'(baseline-skip . 0.3)
|
||||
\column {
|
||||
\musicglyph #"scripts.tenuto"
|
||||
\musicglyph #"scripts.tenuto"
|
||||
\musicglyph #"scripts.tenuto"
|
||||
}
|
||||
}
|
||||
% Abbreviated notation common in piobaireachd scores.
|
||||
% TODO: Make sure these are put on a fixed Y-position.
|
||||
txtaor = \markup { "T" }
|
||||
txcrun = \markup { "C" }
|
||||
txtaorcrun = \markup {
|
||||
\override #'(baseline-skip . 1.8)
|
||||
\column { "T" "C" }
|
||||
}
|
||||
txtaoram = \markup { "T’’" }
|
||||
txcrunam = \markup { "C’’" }
|
||||
txtaorcrunam = \markup {
|
||||
\override #'(baseline-skip . 1.8)
|
||||
\column { "T’’" "C’’" }
|
||||
}
|
||||
|
|
@ -0,0 +1,251 @@
|
|||
%{
|
||||
All of the bagpipe specific markup.
|
||||
|
||||
$Id: /Music/Bagpipe/cheatsheet.ly 227 2007-10-16T13:16:11.328125Z sven $
|
||||
%}
|
||||
|
||||
\version "2.11.43"
|
||||
|
||||
#(ly:set-option 'point-and-click #f)
|
||||
|
||||
% Choose a size
|
||||
#(set-global-staff-size 18)
|
||||
#(set-default-paper-size "a4" 'landscape)
|
||||
|
||||
\include "bagpipe.ly"
|
||||
|
||||
\paper {
|
||||
indent = 0\mm
|
||||
ragged-right = ##t
|
||||
ragged-bottom = ##t
|
||||
}
|
||||
\layout {
|
||||
indent = 30\mm
|
||||
\context {
|
||||
\Staff
|
||||
\remove "Bar_engraver"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Plain notes "
|
||||
G4 a b c cflat d e f fflat g gflat A
|
||||
}
|
||||
\addlyrics {
|
||||
G a b c cflat d e f fflat g gflat A
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Single grace notes "
|
||||
\grG a4 \gra a \grb a \grc a \grd a
|
||||
\gre a \grf a \grg a \grA a
|
||||
}
|
||||
\addlyrics {
|
||||
"\grG" "\gra" "\grb" "\grc" "\grd"
|
||||
"\gre" "\grf" "\grg" "\grA"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Doublings "
|
||||
\dblG G \dbla a \dblb b \dblc c \dbld d
|
||||
\dble e \dblf f \dblg g \dblA A \tripleA A
|
||||
\hdblf f \tdblf f
|
||||
}
|
||||
\addlyrics {
|
||||
"\dblG" "\dbla" "\dblb" "\dblc" "\dbld"
|
||||
"\dble" "\dblf" "\dblg" "\dblA"
|
||||
"\\tripleA" "\hdblf" "\\tdblf"
|
||||
}
|
||||
}
|
||||
\markup { "All other half doublings and thumb doublings are available similarly." }
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Slurs "
|
||||
\slura a \slurb b \slurc c \slurd d
|
||||
\slure e \slurf f \slurg g \slurA A
|
||||
\hslurf f \tslurf f
|
||||
}
|
||||
\addlyrics {
|
||||
"\slura" "\slurb" "\slurc" "\slurd"
|
||||
"\slure" "\slurf" "\slurg" "\slurA"
|
||||
"\hslurf" "\\tslurf"
|
||||
}
|
||||
}
|
||||
\markup { "All other half slurs and thumb slurs are available similarly. "
|
||||
"Note that many of these aren't really playable, and are only included for consistency." }
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Shakes "
|
||||
\shakea a \shakeb b \shakec c \shaked d
|
||||
\shakee e \shakef f \shakeg g \shakeA A
|
||||
\hshakef f \tshakef f
|
||||
}
|
||||
\addlyrics {
|
||||
"\shakea" "\shakeb" "\shakec" "\shaked"
|
||||
"\shakee" "\shakef" "\shakeg" "\shakeA"
|
||||
"\hshakef" "\\tshakef"
|
||||
}
|
||||
\header { piece = " " breakbefore = ##t }
|
||||
}
|
||||
\markup { "All other half shakes and thumb shakes are available similarly. "
|
||||
"Note that many of these aren't really playable, and are only included for consistency." }
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Catches "
|
||||
e \catcha a e \catchb b e \catchc c e \catchd d f \catche e
|
||||
e \gcatchc c g \tcatchc c
|
||||
}
|
||||
\addlyrics {
|
||||
\skip 4 "\catcha" \skip 4 "\catchb" \skip 4 "\catchc" \skip 4 "\catchd"
|
||||
\skip 4 "\catche" \skip 4 "\gcatchc" \skip 4 "\\tcatchc"
|
||||
}
|
||||
}
|
||||
|
||||
\markup { "All other g-grace catches and thumb catches are available similarly." }
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Throws "
|
||||
a \thrwd d G \Gthrwd d e \thrwf f a \gripthrwd d
|
||||
}
|
||||
\addlyrics {
|
||||
\skip 4 "\\thrwd" \skip 4 "\Gthrwd" \skip 4 "\\thrwf" \skip 4 "\\gripthrwd"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = "Grips and birls "
|
||||
a \grip c a \dgrip d a \egrip c
|
||||
\birl a \wbirl a \gbirl a \dbirl a
|
||||
}
|
||||
\addlyrics {
|
||||
\skip 4 "\grip" \skip 4 "\dgrip" \skip 4 "\egrip"
|
||||
"\birl" "\wbirl" "\gbirl" "\dbirl"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = \markup { "Taorluath " }
|
||||
e \taor a d \dtaor a G \Gtaor a
|
||||
b \taoramb b c \taoramc c b \taoramd d
|
||||
}
|
||||
\addlyrics {
|
||||
\skip 4 "\\taor" \skip 4 "\dtaor" \skip 4 "\Gtaor"
|
||||
\skip 4 "\\taoramb" \skip 4 "\\taoramc" \skip 4 "\\taoramd"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = \markup { "Crunluath " }
|
||||
e \crun e d \dcrun e G \Gcrun e
|
||||
b \crunamb e c \crunamc e b \crunamd e
|
||||
}
|
||||
\addlyrics {
|
||||
\skip 4 "\\crun" \skip 4 "\dcrun" \skip 4 "\Gcrun"
|
||||
\skip 4 "\\crunamb" \skip 4 "\\crunamc" \skip 4 "\\crunamd"
|
||||
}
|
||||
\header { piece = " " breakbefore = ##t }
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = \markup { \column { "Piobaireachd " "notation " } }
|
||||
\cad c4 A \hcad c
|
||||
e \gracad e d \grGcad d
|
||||
a \pthrwd d c \darodo b G \Gdarodo c
|
||||
a \dre e G \bari g e \dari g e \dare f
|
||||
}
|
||||
\addlyrics {
|
||||
"\cad" \skip 4 "\hcad"
|
||||
\skip 4 "\gracad" \skip 4 "\grGcad"
|
||||
\skip 4 "\pthrwd" \skip 4 "\darodo" \skip 4 "\Gdarodo"
|
||||
\skip 4 "\dre" \skip 4 "\bari" \skip 4 "\dari" \skip 4 "\dare"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = " "
|
||||
a16_\trebling d8. a4_\txtaor a4_\txcrun a4_\txtaorcrun
|
||||
a4_\txtaoram a4_\txcrunam a4_\txtaorcrunam
|
||||
}
|
||||
\addlyrics {
|
||||
"\\trebling" \skip 8. "\\txtaor" "\\txcrun" "\\txtaorcrun"
|
||||
"\\txtaoram" "\\txcrunam" "\\txtaorcrunam"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = \markup { \column { "Ancient movements" "J. MacDonald" } }
|
||||
e \fifteenthcutting a G \Gfifteenthcutting a
|
||||
e \seventeenthcutting a G \Gseventeenthcutting a
|
||||
}
|
||||
\addlyrics {
|
||||
\skip 4 "\fifteenthcutting" \skip 4 "\Gfifteenthcutting"
|
||||
\skip 4 "\seventeenthcutting" \skip 4 "\Gseventeenthcutting"
|
||||
}
|
||||
}
|
||||
|
||||
\score {
|
||||
{
|
||||
\bagpipeKey
|
||||
\set Staff.instrumentName = " "
|
||||
e \barluadh g G \Gbarluadh g
|
||||
}
|
||||
\addlyrics {
|
||||
\skip 4 "\barluadh" \skip 4 "\Gbarluadh"
|
||||
}
|
||||
}
|
||||
|
||||
\markup {
|
||||
\column {
|
||||
\override #'(line-width . 130)
|
||||
\justify {
|
||||
These are the specific bagpipe markups that are
|
||||
available. You need to know alot more about entering normal music
|
||||
in order to produce userful output. All of this is available in
|
||||
the Lilypond tutorial and manual, as well as in the tips, regression
|
||||
tests, and snippet repository.
|
||||
}
|
||||
\line { " " }
|
||||
\override #'(line-width . 130)
|
||||
\justify {
|
||||
Check out \with-url #"http://www.lilypond.org/" {\bold www.lilypond.org} to learn
|
||||
more about this. All of these things are linked from the documentation
|
||||
page. Make sure you use the \bold 2.10.0 documentation — lots of
|
||||
things have changed since the older versions.
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
\header {
|
||||
title = "Cheat sheet for entering bagpipe music"
|
||||
subtitle = "Intended for Lilypond 2.11 or better"
|
||||
tagline = \markup { "P/S Sven Axelsson, MPD" }
|
||||
}
|
||||
|
|
@ -0,0 +1,39 @@
|
|||
%{
|
||||
Header formatting for bagpipe tunes. Customize to get your name in the tag line.
|
||||
|
||||
$Id: /Music/Bagpipe/format.ly 227 2007-10-16T13:16:11.328125Z sven $
|
||||
%}
|
||||
|
||||
\version "2.11.43"
|
||||
|
||||
% Bring in the time/date package. Set format to month day, year
|
||||
|
||||
#(use-modules (srfi srfi-19))
|
||||
today = #(date->string (current-date) "~B ~d, ~Y")
|
||||
|
||||
\paper {
|
||||
raggedbottom = ##t
|
||||
tagline = \markup {
|
||||
\line {
|
||||
"Rev. " \today
|
||||
#(ly:export (ly:wide-char->utf-8 #x2014)) % Em-dash
|
||||
"P/S Sven Axelsson, MPD"
|
||||
}
|
||||
}
|
||||
scoreTitleMarkup = \markup {
|
||||
\override #'(baseline-skip . 3)
|
||||
\column {
|
||||
\fill-line {
|
||||
\column {
|
||||
\large \bold \fromproperty #'header:title
|
||||
\bold \fromproperty #'header:subtitle
|
||||
}
|
||||
\fromproperty #'header:meter
|
||||
\line { \fromproperty #'header:composer " " \italic \fromproperty #'header:arranger }
|
||||
}
|
||||
#(ly:export (if (not (ly:get-option 'without-comment))
|
||||
(markup #:justify-field 'header:comment)
|
||||
(markup)))
|
||||
}
|
||||
}
|
||||
}
|
||||
|
|
@ -0,0 +1,49 @@
|
|||
%{
|
||||
Header formatting for bagpipe tunes. Customize to get your name in the tag line.
|
||||
|
||||
$Id: format.ly 225 2005-09-10 23:34:07Z sven $
|
||||
%}
|
||||
|
||||
\version "2.11.43"
|
||||
|
||||
% Bring in the time/date package. Set format to month day, year
|
||||
|
||||
#(use-modules (srfi srfi-19))
|
||||
today = #(date->string (current-date) "~B ~d, ~Y")
|
||||
|
||||
\paper {
|
||||
raggedbottom = ##t
|
||||
tagline = \markup {
|
||||
\line {
|
||||
"Rev. " \today
|
||||
#(ly:export (ly:wide-char->utf-8 #x2014)) % Em-dash
|
||||
"P/S Sven Axelsson, MPD"
|
||||
}
|
||||
}
|
||||
bookTitleMarkup = \markup {
|
||||
\override #'(baseline-skip . 3.5)
|
||||
\column {
|
||||
\fill-line { \fromproperty #'header:dedication }
|
||||
\override #'(baseline-skip . 3.5)
|
||||
\column {
|
||||
\huge \bigger \bold
|
||||
\fill-line {
|
||||
\bigger \fromproperty #'header:title
|
||||
}
|
||||
\fill-line {
|
||||
\large \smaller \bold
|
||||
\bigger \fromproperty #'header:subtitle
|
||||
}
|
||||
\fill-line {
|
||||
\smaller
|
||||
\line { "(" \fromproperty #'header:source ")" }
|
||||
}
|
||||
\fill-line {
|
||||
\line { \fromproperty #'header:meter }
|
||||
\line { \fromproperty #'header:composer " " \italic \fromproperty #'header:arranger }
|
||||
}
|
||||
\fill-line { " " } % Empty line
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
|
@ -0,0 +1,67 @@
|
|||
ATT SKRIVA SÄCKPIPEMUSIK MED LILYPOND
|
||||
=====================================
|
||||
|
||||
|
||||
1. Installera Lilypond 2.6.0
|
||||
----------------------------
|
||||
|
||||
* Numera finns "riktiga" installerare för Mac och Windows och Red Hat Linux.
|
||||
Det finns också en version som använder Autopackage; en universell
|
||||
Linux-installerare.
|
||||
* Hämta installeraren för ditt system här: http://lilypond.org/web/install/
|
||||
* Gör som du brukar för att installera.
|
||||
|
||||
|
||||
2. Installera och använda bagpipe.ly
|
||||
------------------------------------
|
||||
|
||||
* Dessa instruktioner är skrivna för Windows. Om du kör något annat så får du
|
||||
själv lista ut vad som skiljer sig.
|
||||
|
||||
Skapa en katalog för musikfiler, t.ex. C:\Music och kopiera alla filer och kataloger
|
||||
från bagpipe.zip till den nya katalogen. OBS lägg inte filerna i Mina dokument
|
||||
eftersom en del av de program som behövs för Lilypond inte tycker om sökvägar
|
||||
med blanksteg i.
|
||||
|
||||
Kopiera filerna i mappen scm till motsvarande mapp i din Lilypond-installation
|
||||
och skriv över de två filerna där. Dessa filer finns normalt i
|
||||
C:\Program\LilyPond\usr\share\lilypond\2.6.0\scm
|
||||
OBS: Detta är viktigt! Dessa filer krävs för att rubriker ska fungera korrekt.
|
||||
|
||||
Dubbelklicka på cheatsheet.ly. Detta skapar en PDF med alla specifika säckpipe-
|
||||
kommandon, så du kan se hur du skriver t.ex. en crunluath a mach. Nu ser du också
|
||||
om din installation fungerar som den ska.
|
||||
|
||||
OBS: när du dubbelklickat på en *.ly-fil så verkar det som inget händer. Detta är
|
||||
normalt. Lilypond räknar och tänker en stund innan den skapar PDF-filen. Om du
|
||||
kör en stor fil, t.ex. standard_settings.ly, så kan det ta upp till en minut
|
||||
innan du ser att något händer.
|
||||
|
||||
bagpipe.ly är där alla säckpipespecifika kommandon och inställningar finns. Titta
|
||||
gärna i filen för att se hur saker och ting fungerar. Om du upptäcker gracenoter
|
||||
som saknas lägger du till dessa här.
|
||||
|
||||
format.ly anger rubrikformatet. Ändra här om du vill att rubrikerna ska se ut
|
||||
på något annat sätt än Sven Axelssons standardformat.
|
||||
|
||||
music.ly är ett exempel på hur du genererar filer med musik från notbiblioteket.
|
||||
För att det ska gå smidigt att sätta samman många låtar i olika set så
|
||||
inkluderar inte varje låt själv bagpipe.ly och format.ly, utan detta görs
|
||||
från en särskild fil som sen inkluderar en eller flera låtar.
|
||||
|
||||
standard_settings.ly är ytterligare ett sådant exempel. Det är början till
|
||||
vår berömda bok med alla våra fantastiska arrangemang.
|
||||
|
||||
_template.ly är en mall du kan använda för att skriva nya låtar. Alla låtfiler
|
||||
ska struktureras på detta sätt.
|
||||
|
||||
OBS igen: Om du vill skriva rubriker eller annan text som innehåller svenska
|
||||
tecken (eller japanska, eller ryska) så måste du spara filen i formatet
|
||||
UTF-8. Windows-användare kan använda Notepad till detta. Ni andra får själva
|
||||
hitta ett lämpligt program.
|
||||
|
||||
cheatsheet.ly PDF:en och bagpipe.ly bör vara nog för att du ska förstå hur
|
||||
säckpipenotationen fungerar. Du behöver säkert också läsa Lilypond-dokumentationen
|
||||
som finns här: http://lilypond.org/doc/v2.6/Documentation/out-www/
|
||||
|
||||
Det var det hela.
|
||||
Loading…
Reference in New Issue